rauliruegas
You might want to think a little about that 1% distortion number. Not whether it is true or accurate, but whether it matters. When it comes to really low bass, its hard to see how it matters.
Low bass waves are 30, 40, 50 to even 60 feet long. So long that before the speaker even gets to the end of the first wave the beginning of the wave has already hit and been reflected off the walls many times. But not just reflected. In hitting the walls it moves them, and they move back. This energy in the room from the walls turns out to be one of the toughest to eliminate. About the only thing you can do is build a wall specifically designed to absorb and dissipate this energy, then suspend it over another more structural wall. This is what Geddes does in his room, what some professionally designed studios do. Its not cheap.
But if you don’t do this then you have the walls radiating that energy right back into the room. So no matter how low distortion your speakers, they wind up in that room having five, ten, twenty percent distortion.
That’s just one form of distortion. Standing wave modes and nodes are another, probably even bigger form of distortion.
This is all a part of the bigger picture, which is how speakers interact and work within the listening room. Too often specs are quoted that while accurate turn out to have little or nothing to do with real world performance.
You might want to think a little about that 1% distortion number. Not whether it is true or accurate, but whether it matters. When it comes to really low bass, its hard to see how it matters.
Low bass waves are 30, 40, 50 to even 60 feet long. So long that before the speaker even gets to the end of the first wave the beginning of the wave has already hit and been reflected off the walls many times. But not just reflected. In hitting the walls it moves them, and they move back. This energy in the room from the walls turns out to be one of the toughest to eliminate. About the only thing you can do is build a wall specifically designed to absorb and dissipate this energy, then suspend it over another more structural wall. This is what Geddes does in his room, what some professionally designed studios do. Its not cheap.
But if you don’t do this then you have the walls radiating that energy right back into the room. So no matter how low distortion your speakers, they wind up in that room having five, ten, twenty percent distortion.
That’s just one form of distortion. Standing wave modes and nodes are another, probably even bigger form of distortion.
This is all a part of the bigger picture, which is how speakers interact and work within the listening room. Too often specs are quoted that while accurate turn out to have little or nothing to do with real world performance.