Will a subwoofer add depth and clarity to my system, or just bass?

Dear @noble100  : Maybe I do not explain me very well ( normally in me. ). 

It's not that I'm deep founded in the Velodyne's subs. What I try to say is that evenly room bass range  must start with those  ( 2 0r more. ) self powered subs that by specs has the lower self distortion figures.

Again, today for home audio systems the only self powered subwoofers with lower than 1% distortion levels is the ones coming from Magico $$$. It performs that way with measured 136 db SPL.

Velodyne is out of audio market.

The main reason that moves me to buy and integrate two subs in my room/stereo system was to achieve the lowest overall distortions I can under my own room/system limitations.
My room/system main target is to stay nearer to the recording and first parameter to approach that target is to mantain any kind of distortions ( coming from every where. ) at minimum.

In my room/system I confirm that Harman International is rigth on what their white papers I linked conclude: ideally 4 but with two subs you can achieve almost same quality level and there explain about.

I don't disagree with you even that I know you are in deep about the use of 4 subs and in Agon forums there are other gentlemans where their systems approach is the same of yours and are truly satisfied.

According with what other audiophiles/musicians and me already experienced in my room/system seems to me that I really am lucky that with 2 subs have not discernable problems developed by bass range at a sweet pot not extremly limited and certainly not wider as over the enterely room, of course not. My system is at the parlor of my house and more than a true limitations for the bass response I think that already helped for that " lucky " scenario I pointed out. My subs are positioned at a very unorthodox place.

Btw, seems to me that you are an expert in this overall bass range subject and certainly I'm not but only a " lucky " guy.

Regards and enjoy the MUSIC NOT DISTORTIONS,
R.

rauliruegas
You might want to think a little about that 1% distortion number. Not whether it is true or accurate, but whether it matters. When it comes to really low bass, its hard to see how it matters.

Low bass waves are 30, 40, 50 to even 60 feet long. So long that before the speaker even gets to the end of the first wave the beginning of the wave has already hit and been reflected off the walls many times. But not just reflected. In hitting the walls it moves them, and they move back. This energy in the room from the walls turns out to be one of the toughest to eliminate. About the only thing you can do is build a wall specifically designed to absorb and dissipate this energy, then suspend it over another more structural wall. This is what Geddes does in his room, what some professionally designed studios do. Its not cheap.

But if you don’t do this then you have the walls radiating that energy right back into the room. So no matter how low distortion your speakers, they wind up in that room having five, ten, twenty percent distortion.

That’s just one form of distortion. Standing wave modes and nodes are another, probably even bigger form of distortion.

This is all a part of the bigger picture, which is how speakers interact and work within the listening room. Too often specs are quoted that while accurate turn out to have little or nothing to do with real world performance.

Dear @millercarbon :  """   then you have the walls radiating that energy right back into the room. So no matter how low distortion your speakers, they wind up in that room having five, ten, twenty percent distortion. """

even higher than those figures. Is there a possibility that that " effect " can goes at minimum just at random? I know that " sounds " crazy but exist that possibility?

In the other side and in a " normal " home audio room dimension the very low bass range due to the limited room dimensions not even " form " its bass notes waves: I think ! ? ! ? ? as I said I'm not an expert but only a music lover and audiophile.

And if does not " forms " then what's what we are listening/our body sense? Some times at my seat position I can feel/sense th bass waves at my ankles, sometimes a little elevated body sensation but neither distract or makes an overall degradation of what I'm listening through my ears: clarity, transparency and the like always is there and I can't detect that that kind of low bass " sound " affects   the TT/tonearm/cartridge behavior.

Coments are welcomed on this regards. Is there a way to explain it?

R.

Yes what you describe makes perfect sense. Every room has lots of modes, or places where certain frequencies reinforce and make for a lot louder sound. The exact location of these modes changes depending on frequency. But if you play a steady tone and move around you will find lots of places where the tone is much louder (a mode) and much less loud. Depending on the frequency these may be very close together. So in other words its certainly possible for you to feel vibration from a mode on your ankles that doesn't sound like it up where your ears are. Play the same bit with your head down where your ankles were and see.

None of this matter much with bass because we don't get our sense of direction from bass, we get it from much higher frequencies. So like the other night, Jennifer Warnes Bird on a Wire, there's these really awesome drum whacks which even though its mostly very low bass you absolutely here them as being very precisely placed in 3D at several different locations. Each whack sounds individual, each drum stays put in each location. My Swarm is two amps stereo but I tried it one amp mono with the same degree of imaging.

Its like we have two almost completely different hearing pathways or systems, one for low frequencies another more precise for higher.

Dear @millercarbon : Thank's. Yes we can't detect the low bass sources but in the system seems to me comes always from the in between speakers space and even that the subwoofers are not " looking/facing " to my seat position but at 90°. 

Your J.Warnes experiences are similar to what my system performs in several recordings, one of them is the Telarc 1812 LP where the cannon shots comes from different direction and the shots does not recorded with the same caliber cannon but different ones. One of those cannon shots goes down to 6-8hz that was the lowest frequency ever cutted in a LP.

When people like you, me and many others are accustom to satellite/subs room/system we just can't come back to the " past ", the experience is unique for a home audio system.

The " feelings/emotions " that MUSIC wake up on each one audiophile goes to the sky shinning as ever before. I know I can't live I can't listen it with out that quality level performance.

Like in your system my subs never " tells " you " I'm here ", only when the recording ask for it. Even in normal recordings we can't imagine those subs are swich onn.

Only through subs we can be sure that digital alternative outperforms analog one and the most important issue: why outperforms it.

CD's from the 80's outperforms today audiophiles same recordings as: Gladiator, Glory, 300 ( all these Original Soundtracks. ) and many many others.

There are LP recordings that we really can't enjoy it in all its magnificence  but only through a room/system with subwoofers. Example is the Wilson label recording Center Stage but there are hundred of LP recordings where thousands of music lovers need " discovery " as if was their very first time listen to.

Regards and enjoy the MUSIC not distortions,
R.