Some Thoughts on Axpona 2019--from an Axpona Newbie


Lifelong music lover and player here.  I went to my first Axpona this weekend.  I wanted to share a few things to see what others think. 

1.  One day is not enough.  I had a buddy and a game plan.  There still was way too much to do and see to get it done in a day!

2.  Meeting certain manufacturers, engineers, designers, reviewers who are essentially "famous" in my hifi mind was super cool.    

3.  There were some expensive rooms (I'm defining that as systems with pieces of kit north of $25,000 piece and overall $75,000 and above for the system) that weren't all that great.  In some of those rooms I thought that if I had that money to spend I'd buy lesser priced gear because it sounded better to me. 

4.  Speaking of budget gear, the Elac room (bookshelf speakers) and the Wharfedale room (Linton speakers) sounded so great--notwithstanding their small price tags. 

5.  My favorite "big money" room was the VTL/Stenheim Alumine Five loudspeakers room.  The sound here was spellbinding.  

6.  Many folks running the systems were pushing the loudspeakers too hard.   In my humble opinion, they needed to back down the volume as things could start to sound harsh.  

7.  I loved meeting Clinton and hearing Spatial Audio speakers in person.

8.  My personal favorite for near $10k in loudspeakers was Volti Rivals.  

I'm definitely going to be doing this again next year!
128x128jbhiller
Well there definitely were pricey systems that sounded amazing.  But there also were pricey systems that sound good but not great. And there were reasonably priced systems that sounded amazing too.  Oh and there were budget systems that sounded amazing as well.  I'm defining pricey, reasonably priced, and budget subjectively of course.  

I loved how a $2k Quad amp, Mofi turntable (is it ~$1500) and Wharfedale Linton (Harbeth killers?) speakers ($1500) sounded sooooo good.  
One other newbie takeaway...  The music!  Man, these exhibitors love to play stereotypical audiophile music.  Think Rebecca Pidgeon, Chesky, instrumental sounds (windchimes, wood blocks), etc.  I like that stuff for sure. However, I'd rather hear how Aretha Franklin or Sam Cooke sound on a killer system than Rebecca Pidgeon.  Disclaimer:  All due respect to Rebecca and many others.  
I've been to two audio shows; AXPONA last year and the Tampa show this winter. I think the thing that struck me most was an almost complete disconnection between the price and the quality of sound. I heard modest systems that sounded wonderful and I heard 6 figure systems that sounded awful - at least to my ears. Granted, the best sounding system IMO at last year's AXPONA was also the most expensive (VAC, Von Schweikert - $1 million) but there were several reasonable systems that were amazing. The other thing I came away with is that my 90's vintage system (Krell, Mirage) sounds pretty darn good.
The thing with shows is there are may large expensive systems that would probably best demonstrate unique value set up well in a larger room where more is needed but most rooms are smaller scale where size and often associated cost matters less. Good sound need not be expensive to produce these days but doing it on a larger scale will tend to cost more.   Need it cost as much as many setups at these shows?  No.   But it is always interesting to hear what should be the creme of the creme is capable of in person.
@8thnote,  your view and mine are identical.  My favorite system at Axpona cost $150k.  But, a silly little $1200 pair of Elacs sounded more like music and what I'd take home than a couple of really pricey rigs.