Anyway, there’s not much more useful stuff I can add here. As I’ve repeatedly stated, my goal here was narrowly focused: I wanted to discuss the innovation in the tweeter array accurately and point those who are curious to more resources to see how they can be analyzed.
It was never to sell Tekton, or to nit pick their aesthetics or every electro-acoustic design choice.
As I’ve said before, the tweeter/mid array is curious and innovative, and in that sense should be pretty exciting to speaker design geeks in the same way planar speakers and large speaker arrays like the IRS or McIntosh brands have used in the past. Unless you are named "kosst" in which case "comb filtering" reflexively exits your mouth with little idea what you mean.
For certain, cost, aesthetics, pleasure and value are not things I want to rehash here as all that gets us far afield from the "hey, they are doing something cool and interesting" discussion I wanted to have. Perhaps one of the few, truly innovative things I've seen come down the speaker design pipe in a long time.
Best,
E
It was never to sell Tekton, or to nit pick their aesthetics or every electro-acoustic design choice.
As I’ve said before, the tweeter/mid array is curious and innovative, and in that sense should be pretty exciting to speaker design geeks in the same way planar speakers and large speaker arrays like the IRS or McIntosh brands have used in the past. Unless you are named "kosst" in which case "comb filtering" reflexively exits your mouth with little idea what you mean.
For certain, cost, aesthetics, pleasure and value are not things I want to rehash here as all that gets us far afield from the "hey, they are doing something cool and interesting" discussion I wanted to have. Perhaps one of the few, truly innovative things I've seen come down the speaker design pipe in a long time.
Best,
E
