Axpona reviewers perceptions and reality


Just read the Absolute Sounds' review of speakers $20k and many of  the speakers and systems singled out by Mr. Vallin were in our opinion were mostly subpar and many of these systems were extremely expensive to the tune of $500k and above price levels. 

Many critics love the big Von Schweikert/Vac rooms we felt that in both recent shows: Cap and at Axpona these rooms were way too massive for even these large and expensive speakers and these systems did not have the room lock effect where the speakers are actually presurizing the room and therefore producing the realistic size and scope of a live performance.

Other disappointments that critics liked

The High Water Sound room was just dismbodied, soft sounding and utterly uninvolving,.

The CH Precision room not that good especially for the insane price tag of $500k for this room at least.

The YG acoustics/Audionet was an extremely expensive rig that failed to impress.

The Hanawi  speakers first sounded great on an old recording totally disapeared and then sounded aweful on a modern record dead, no dynamics, limited top end no bottom.

We do agree that the YG Linenberg setup was very good and way less expensive then some of the other rigs.

Both Magico systems were horrible, the gigantic Magico dual sub system was impressive in the way it filled the space with scale and  image size and bass output,  but was lifeless and dead sounding, and the CH Precison Magico setup was also boring and uninvolving with an insane cost of probably another $500k level room.

We also agree that the Wilson/Arc room was magical

We also thought the MBL's sounded very good

We also thought the Avante Garde room was also extremely good. 

The point is Mr. Vallin hailed many systems as being best in show that in our opinion didn't deliver the goods at all

The Piega room was not anything special, the German Physics again not bad not that good either, most omni's don't sound right to us,. the Eikons were good for an all in one and the Haniwa's were just aweful other than a 1950's record they were playing which sounded great.

Best Sound of Show (price notwithstanding): This is a tough one, given that most of the contenders competed on a fairly even footing. So I’m going to declare a tie among the Stenheim Alumine Five, (We didnt hear these no comment)

the YG Hailey 2.2,   the MBL 101 E, the Goebel Divin Noblesse, the Magico M2, the Magico M6, the Avantgarde Duo Mezzo XD, the German Physiks Borderlands, and the Piega Coax 711.

Best Sound of Show (for the money): I didn’t get to hear the new $695 Maggies (that’s how busy I was), which reputedly were terrific, but in my category the Eikon and the Haniwa were pretty darn appealing.


Our best in show for expensive speakers and systems was very, different then Mr. Vallen's just currious what others tought of his listings:


Our best in show no particular order

Wilson/ARC

Gryphon Room

T+A Solitare 

Vimberg (best bang for the buck reference speaker at show at $36k sounded amazing)

MBL

Grande Utopia EM/Naim Statement Our pick for best in show 

Avante Garde


Worst in show for very expensive setups


Both Magico rooms

YG/Audionet

Piega/Air Tight


What do you guys think of our list and comments on Mr. Vallens opinions.


Dave and Troy

Audio Doctor NJ



128x128audiotroy
Trudat, this post was about the reviewer in question his opinions and how they differ from ours, and perhaps many others who heard the same systems at the show and came up with very different opinions.

We are wondering how many people agree with Mr. Vallen? In our opinion he is way off with most of his pronoucements about which rooms really sounded good.

EBM didn’t hear the A3 or if we did they didn’t stand out which room was using the A3?

The 2 big Magico demos with Magico in one and the other by F1 audio neither system sounded that good especially for the gigantic price tag, the CH Precision  Room was good sounding, not great either  but not $500k plus good enough to say sure we would purchase that setup if we were going to spend that kind of money.

We never said the Persona 3F and Anthem setup was anything other than amazing for both the sound produced and the price the combination of electronics plus louspeakers were $14,500.00 and that little system was producing a much more magical sound than many systems that cost tens of thousands of dollars.

What we said is with a few changes we could have made that system so much better, the choice of server and cabling is not what we would have used, the AQ cables tend to be clean, we did a demo of the current Water, Wind, series vs the comparable priced Wireworld series 7 which is not as good as the new series 8 and the Wireworld cabling was warmer and more full bodied sounding with an equal amount of resolution.

The Aurender servers are very good sounding but the addition of an Innous server and upconverting to 384k or above can produce a bit more air and clarity with the Anthem STR, also we would have added Isoacoustics Ghia footers as well, and different power conditioning, all of these changes would have made that little setup sound signfigantly better.

Last point us is Dave the owner, and Troy our part time help, friend, and additional set of ears.

Dave and Troy
Audio Doctor NJ
By the way -- it's Jonathan Valin .. not "Vallin", not "Vallen"

You know, politeness, attention to detail ...
Individual percerptions are individual reality. Everyone hears a bit different. Some even hear voices that aren't there.

The reality is that your opinion is about as valid as that of any other who walked the rooms of Axpona.  
Sorry Folkfreak not being impolite will write his name correctly  from now on.

Where you at the show?
I attended a T.H.E. Show in 'Vegas years ago. Wilson had a massive room at, what is now, the Hooters hotel. Day-1: Thin, bright, stringy sound -really bad. Day-2: Not as bad as day-1 but still sub-par. Day-3: Hallelujah! Sweet, pure, extremely REALISTIC music pouring out of those big Wilsons! The better the system, the longer it takes to warm up and settle in. Maybe exhibitors should arrive a week early so their systems sound good on show days. No? I didn't think so...