Some interesting posts here.....the first two active speaker companies the I know of were Genelec (which I represented years and years ago) and ATC (which we now import to the US as lone mountain). Both companies have a long history of "how its done" and both started primarily in studio market, where passives were very much in control of the market in the late 70s and early 80s. ATC was an owner operator so they stuck close to home, they got support early on from Pink Floyd and others in the UK. Genelec raised money and went international very early and had a significant break out hit, the 1031. For small active 2 way, this thing rocked. So much better than the passives of the day. The 1031 was used for more movies in the 80s than any other I think! Genelec made a great sounding ribbon tweeter speaker early on too, the S30, lovely speaker but it sort of faded way for unknown reasons. .
I think the number one reason active is considered better than passives by many (speaker) designers is the ability to control phase. Building a speaker that's linear in phase response is a wondrous thing to behold. The other side benefits of active are easier to guess: super short cables, the right power to each driver, easy to calibrate a system for flat response with amp/driver level, easier to do a electronic crossover than a passive one and you use higher slopes with active so you can get some additional performance out of that.
A lot of folks don't know that passive crossovers have a tough time with changing driver values as they heat up, changing crossover behavior. That's why in pro, you cannot have a speaker "sound different in the morning" than the night before.
Brad
Lone Mountain Audio
I think the number one reason active is considered better than passives by many (speaker) designers is the ability to control phase. Building a speaker that's linear in phase response is a wondrous thing to behold. The other side benefits of active are easier to guess: super short cables, the right power to each driver, easy to calibrate a system for flat response with amp/driver level, easier to do a electronic crossover than a passive one and you use higher slopes with active so you can get some additional performance out of that.
A lot of folks don't know that passive crossovers have a tough time with changing driver values as they heat up, changing crossover behavior. That's why in pro, you cannot have a speaker "sound different in the morning" than the night before.
Brad
Lone Mountain Audio