Thanks Charles, for some good perspective. I know and have stated that tastes vary, results vary, the same exact equipment, different room, different result. Some audiophiles need to buy expensive well-known labels even though there is better out there that is less expensive.
Some folks cannot separate hyperbole and fluff from a lot of audio writers and ad bucks, then when something darn good comes along with low or no ad bucks, suddenly these same folks come from Missouri, "the show me state". I suspect the low-cost of Israel's Dynamo and Eric's Tekton scare many people away because of lower cost. These type of folks need a prestige label with well-known bragging rights, likely vastly overrated, cost three times or more than what it should.
Some folks cannot separate hyperbole and fluff from a lot of audio writers and ad bucks, then when something darn good comes along with low or no ad bucks, suddenly these same folks come from Missouri, "the show me state". I suspect the low-cost of Israel's Dynamo and Eric's Tekton scare many people away because of lower cost. These type of folks need a prestige label with well-known bragging rights, likely vastly overrated, cost three times or more than what it should.