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Spendor D7, D9 but no love Classic 100?

I see plenty of recommendations floating around recent threads for the D7 and D9, but nary a mention of the Classic 100.  I wonder why.  Are no dealers stocking it for demo?

Last summer I was able to audition extensively the Classic 100 vs. the D7 in same system, same room, same afternoon, same music.  The 100 came out on top by some margin.  Just a much more natural sound.  Never heard the D9 but I imagine it's cut from the same cloth, but goes deeper.  The Classic 100 was lively, exciting, dynamic, but also harmonically full and rich and never threadbare.  In contrast, there was something in particular about the D7 treble range that made me uncomfortable.  As always, YMMV, and indeed, it probably already has.


128x128twoleftears
salectric
751 posts
 
By Classic 100, do you mean the SP-100? If so, it is indeed a classic.  I had a pair of the original SP-100 (before the later variations called the R, R2 etc) for over 15 years and enjoyed them the whole time.  It was often called the “music lovers” speaker as opposed to an audiophile favorite.
three_easy_payments's avatar
three_easy_payments
2,097 posts
 
I'm not sure it's fair to compare the D7 to the Classic 100.  The D7 is a completely different animal and comes in at half the price of the Classic 100.  I would think folks in the market for a Classic 100 may be making more comparisons against say another large standmount like a Harbeth 40.2 than a small floorstander like the D7.  

With this said I've only heard really great reviews about the Classic 100 but have yet to hear one in person.
helomech
1,677 posts
 
there was something in particular about the D7 treble range that made me uncomfortable

I’ve encountered this same criticism a few times, even from a Spendor dealer. I was told the D-line is Spendor’s interpretation of a modern studio monitor.

I haven’t heard the newest Classic 100s, but their predecessors, the SP100s, are still reference-grade speakers IMO. In fact, even among speakers costing upwards of $30K, I’ve yet to encounter any that I think are superior overall. Very few speakers, if any, manage such a wide array of talents. And most are tonally inaccurate in comparison (in my opinion of course).

If you want the sound of SP100s/Classic 100s in a smallish floorstander, get the A7s. My dealer thinks they’re as close as it gets without buying the new Classic range. I did get to hear the new A4s in the same room where I heard the SP100s. Aside from bass output, I think I’d be hard-pressed to discern a difference in a blind listen. That makes the A4s sort of a great bargain IMO.

If you’ve fallen for the Classic Spendor sound, I’m afraid there’s really no substitute outside of the new A-line, at least not that I’ve heard. And no, the Harbeth sound is not very similar.
mpomerantz
109 posts
 
I recently auditioned the A7.  I have a pair of SP1 at home and found the A7 much more dynamic, but lacking the sweet golden tone of the SP1.  I have found the SP1 very much dependent on amplifiers.  Originally ran it with a Harman Kardan and its was dull and boring.  Got better with my Rega Brio, but came to life with a Leben cs600.  Its only weak point is still not so dynamic with classical music.
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