@blueskywalker The progression monos were in the shop as well, but I didn’t have the space for them so didn’t take a listen. However, during my multi-day audition of the M400s, another buyer with Alexxes I think came in who didn’t want to pay for the M400s and so took a listen (on the same setup that I heard) to the progression monos with the intent to buy them but didn’t love them and then listened to the M400s and coughed up the money for the M400s.
From what I’ve read, the Ayre MX-R Twenty and the earlier generation M300 were pretty close - some preferred the Ayre and some preferred the D’Ag (although according to my dealer, since the M300 was introduced pretty much all of his customers went with the M300 over the MX-R Twenty but he’s in Asia and in that part of the world I understand that buyers like high priced items so I’m not sure that all the purchases were due to a preference as opposed to the D’Ag being more prestigious due to it being more expensive).
So, if you can afford the S250, that’s the one you should go for based on my experience with the M400. On the other hand, if you’re only looking at the S200 (the stereo equivalent of the M300), then you should consider the Ayre MX-R Twenty as well.
No idea why the input board failed. D’Ag was quite curious and required that the failed board be sent back to them for inspection. I’m guessing that means that it was an isolated event as opposed to a common issue, but who knows.
Sorry, I haven’t heard your speakers so I couldn’t say for sure, but I would definitely try to listen to the MX-R Twenty given what you’re describing as it’s top end has more bite.