Help me understand how to optimize bass on the Zu Definition Mk IV


I am a longtime owner of Zu Definition Mk1.5 speakers and recently also bought a pair of Definition Mk4's. I based this decision partly on the reviews / feedback posted here on Audiogon in various threads by members such as 213cobra, gsm18439, spiritofmusic and others. I'm really hoping some of you Mk4 owners can chime in and help me out here!

Basically, my issue is that I found the Mk1.5's put out incredibly deep and impactful bass, especially with some of the music I love, like R&B and reggae. And this was with the bass amplitude knob at 12 or 1 o'clock. However, after setting up my new Mk4's, I find the bass underwhelming and anemic, even after fiddling around with various settings and with the volume and PEQ cranked. I have them on spikes into bases on a hardwood floor, with about a 1.5" gap on the bottom. What am I missing here?? Based on the reviews I read, I was expected the bass to equal or exceed the lowly 1.5's. 

Thanks so much in advance for any helpful advice! 


temicxoch
For the OP,

Are your Def 4s new or did you buy them used and they're simply new to you? There's a reason I'm asking. What are your room dimensions? Which 300B tube are you using in your SE amps?

I started with Def 1.5 back in early 2005. Then Def II, then (and still) Def 4. All three have been placed in exactly the same location. With the 4x10" back firing arrangement, I did have speakers placed close to the wall behind, but no corner loading. Under normal circumstances, the Def 4 12" sub should easily outperform the older 4x10" array, in bass depth, quality and amplitude. The old plate amp on the 4x10" wasn't as powerful as the sub amp in the Def 4. However, with 6" clearance to the back wall and 2' to the side, with the backfiring array you certainly had corner loading with the Def 1.5 that has gotten you accustomed to exaggerated bass. You might just have to wean yourself off some of that, because you are not going to get the same amplitude of corner loading from the downfiring sub in Def 4. Particularly with your 300B SET amps. You'd have corner reinforcement of rising THD bass.

On the other hand, Def 4 gives you control that laughs at the simple level knob on Def 1.5 / 2. So alot can be accomplished by getting the controls combination settings optimized. But first I need the answer to the questions whether your Def4 are new from Zu or used. Then I'll have more to suggest.

Phil
Again, thank you guys for the contributions. Please keep sending along any thoughts you have. So far they are exactly the kind of answers I was hoping for from current owners. Wish I could invite you all over for a drink and a listen!

So I played around for a few hours tonight and managed to improve the bass presentation on the speakers significantly. I've had to find my own settings, as the examples posted above just haven't done it for me, in my space, with my tastes. I would still say that these MkIV's in their current configuration here are outputting only maybe 70% of the bass quality I was getting from the Mk1.5's. But steps forward for sure. 

I've definitely had this realization.... I lived (very happily!) with my previous Zu's for 12 years here and had them dialled in just perfectly. I probably had somewhere around 5000 hours of listening bliss with them. Then I found these used MkIV's locally for a good price and decided to make the leap. Somehow I thought I could just slot them in just where the others were and figured it would be instant love. Now I get it... they are a different speaker, with a different solution for transducing bass frequencies, and I'm going to have to play around and get to know them in time... 

I was struck by reading this thread --https://forum.audiogon.com/discussions/zu-definition-4-height -- where 52tiger says he "was running out of options and really wasn't sure if the Def 4 was better than the def3," but after raising the height off the floor "the bass is tight and amazing, the downfiring design is so much better than the rear firing its no comparison." Clearly I have some experimenting to do. 

I'm having faith in the last line of that thread by dentdog: "With my Def 4s I worked them around quite a bit to optimize... For me it was well worth all the effort." 
Just saw your reply Phil. My MkIV's are new to me, bought used locally. I wasn't really looking to upgrade, but stumbled upon them and... well... you know how this hobby is. They look to be the first version (not rev B, if that makes a difference). My room dimensions are 13' wide by 22' deep, with the speakers on the short wall. They are 8 feet apart, tweeter to tweeter, with the listening position 8 to 9 feet from each tweeter. Almost a nearfield setup, which might be part of the issue in the way the bass is sounding in the sweet spot. Despite the size of the room, these positions can't really be changed, as the other half of the room is a music studio for playing and recording. 

My 300b tubes are Full Music 300b/n mesh plates. I've always loved them and they churned out mind-bending bass with my previous mk1.5s. 

However, you are right that I may need to wean myself off some of the exaggerated bass from the 1.5s. Being a bass player and a lover of some bass-heavy genres like reggae, those deep frequencies just floated my boat, even if it resulted at times in some smearing of the midrange. That said, I could barely turn the amplitude knobs past 12 o'clock without blowing my head off, while now I'm struggling to get enough bass out of the MkIV's. I do listen to a wide variety of music, so I'd like to get the balance correct!
The reason I asked about new vs. used is that in the early Def4, Sean set the internal amp's gain fairly low, such that in many rooms, including mine, the bass level had to be cranked to 8+, often 9, just to get in the realm. I pointed out to Sean that in a bass-shy room a user would not have enough sub amp gain headroom to properly load some rooms relative to the FRD efficiency. So he subsequently changed the internal gain setting on the internal amp so that the external pot yielded a far greater range of useful gain. I know all the Rev.B speakers were corrected, but some original series were too. I just don't know the serial # cut-off.

Call Sean with the serial numbers of your speakers, and he should be able to tell you if that's the case with your speakers, and he can send you a fix. If you have your sub gain cranked almost to 10, I believe that's your first order problem. In most environments, floor-to-plinth gap on Def 4 is practically immaterial. There are some situations where it is conceivable to matter but I have yet to actually encounter it. It doesn't hurt to experiment but I think you won't have to.

The TJ / Full Music Mesh Plate 300B (really a perforated plate) has three distinctive characteristics, compared to a more objective tube: a rich and euphonic top-end spray, classic coveted 300B lush midrange, and comparatively bloated bass that easily infects midrange transparency and articulation. It's a rich, creamy, decidedly not-objective sound. Now, all the Definitions have internal sub amps that derive their input signal from the bass character of the full range power amps. But the Def4 12" downfire is capable of much better bass articulation and is more dynamically disciplined, so you will have more to work with if you switch to one of the better solid plate 300B tubes, chief of which I suggest the KR 300B balloon glass. But if you need to spend less, one of the Sophia or TJ solid carbon plate tubes, or even the Shuguang Natural -T will be better.

IIRC Sean suggests new owners of Def4 start with the LPF set to 60 hz, which is right for almost nobody, but working down from there gives you an audible ramp into what works in your room. Then you can dial in amplitude and go after the PEQ settings to refine. But it seems highly-likely to me that you have an early pair of Def4 that made it into the field before Sean altered the internal amp gain to a more useful level.

Check and report back, or send my your serial #s and I'll call him tomorrow.

Phil


Phil... wow, amazing feedback! Yes, the mkIV's seem bass shy at reasonable volumes against the FRD efficiency (almost as if they were tuned brighter than my mk1.5s), but can clearly crank out deep frequencies when turned up. Just checked and the serial numbers here are 007 and 008, so I'd guess these are very early models. I'm working tomorrow and don't really know the Zu guys, so if you'd have time to call and ask Sean, I'd be very appreciative! 

I suppose I've liked the 300b mesh plate because I listen to so much music that isn't that well recorded and the rich and creamy character of these tubes hides some of that... 70s reggae made in the ghettos of Kingston just isn't audiophile grade. But I also have a strong collection of jazz, blues, R&B, and rock on vinyl as well, some of which are superb recordings. So for me it has been about finding a balance over the years of a system that's capable of being highly resolving, but also forgiving of poor recordings. It's a delicate dance. I'm certainly willing to try out some new tubes though ;)

Thanks again for all your help!
David