That's my point. Most of those you mention are not here, nor are they buying hundreds of units from the current refurbishing companies it would seem from the turnaround and length of time they take to sell. So who are these prospective buyers of the "new" SME 301?
Huh. You don't seem to understand the reality of the situation. Like I said above, the 301 has legions of cult fans. Ken Shindo may have singlehandedly propelled the Japanese collectors from enthusiasts to rabid covetous collectors and then others from the UK, US, and Europe followed. Sure there is a long turnaround when it comes to building a custom plinth or refurbishing a 60+ year old deck that may have been stored in bad conditions or abused somewhere along the way. "Length of time they take to sell"? What exactly is "they"? If you mean $15,000 completed projects from Artisan Fidelity than yeah, there is a limited number of consumers who are willing to spend that much money on a 60+ year old refurbed turntable. So guess what dude; SME can offer a brand new Garrard with no lagtime once they start production and perhaps adopt many of the performance upgrades people have developed over time and perhaps at a competitive price. Technics took a discontinued $400 deck and came out with what at first blush looked like an identical deck that sold for $2,000 on up and SUCCEEDED. And that original turntable was not even considered to be all that good by most of us (though it was the champion of the budget crowd).