So you are basically processing your Dolby Dig/ DTS in the Oppo, and running out, analog, to your Bel Canto - to simply act as a volume control and switcher.
My experience has been that you'll get a flatter, less dynamic sound processing this way for digital movie source material. I think if you simply back track on your setup, and go back to connecting digital to a fully digital pre/pro- and process internally in the pre/pro - you'll find much more dynamics and power again!
If you haven't changed anything in your setup, than this should be a simple solve.
You of course should always measure for response, phase, volume levels, etc anyway, to know where you're at, and to dial in any system. (I presume 98% of all people don't mess with any of this beyond what auto-EQ's process. They could have their subs and speaker/seats sitting in giant acoustic holes in the response, and they'd never know it).
But to simplify, you should just switch back to the old connection method and see what that yeilds you. That is, if it's important to you in really knowing what happened.
I would.
My experience has been that you'll get a flatter, less dynamic sound processing this way for digital movie source material. I think if you simply back track on your setup, and go back to connecting digital to a fully digital pre/pro- and process internally in the pre/pro - you'll find much more dynamics and power again!
If you haven't changed anything in your setup, than this should be a simple solve.
You of course should always measure for response, phase, volume levels, etc anyway, to know where you're at, and to dial in any system. (I presume 98% of all people don't mess with any of this beyond what auto-EQ's process. They could have their subs and speaker/seats sitting in giant acoustic holes in the response, and they'd never know it).
But to simplify, you should just switch back to the old connection method and see what that yeilds you. That is, if it's important to you in really knowing what happened.
I would.