Can we finally put Reel to Reel out of its misery? Put it to rest people.


The format is dying and too expensive to repair properly. Heads wear out so easy and many out there are all worn.
High quality technicians are either retired or long gone. Its such an inconvenient format that can be equalled by nakamichi easily in tape decks.
Retire it please put them in museums. 
vinny55
@vinny55 There are lots of professional R2R machines with 15 IPS. The thong about professional machines is that they are built like tanks and calibration and line up is easy to do; after all a decent tape tech would line up the machine every day in a studio, back in the heyday of tape. Having had a couple of domestic machines (Revox A77 and a high speed G36), I wouldn't go back to one now.
Checking the repro head azimuth on a tape is probably the most important part of line up, as the high frequency losses are significant, is the repro head is not aligned correctly to the way that the record head was aligned when the tape was made. This is something that most people don't worry about on a domestic recorder with commercial 3.75 and 7.5 IPS 4 track tapes. But that's another story.
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????

You mean not everybody has just a blow up doll?

How quaint.

What is a wife?
Kind of like a life?

Do not have one of those either.
@viridian tubes are way way way more plentiful than reel2reels decks parts heads. Tube amps and tubes have never stopped being made. Reel2Reels have been stopped for 40 years. 
@viridian tubes are way way way more plentiful than reel2reels decks parts heads. Tube amps and tubes have never stopped being made. Reel2Reels have been stopped for 40 years.