Herron VTPH-2A final thoughts.


A year ago, I took the plunge and purchased a new phono pre-amp, the VTPH-2A. I'd read numerous posts on this forum about how special it is, head and shoulders above the rest. I'd also read that Keith Herron is the definition of quality, in terms of knowledge, customer service, and being real as a human being.  I'll be as objective as I can be: everything that was stated is 100% true. I've easily spent hundreds of hours spinning up vinyl with the VTPH-2A and nearly every time my comment to myself is, "damn that's good." Many audiophiles would fret about the synergy with other system components. My opinion is that it would be an overachiever in any system that endeavors to produce fine music.
With respect to Keith, I contacted him not for technical support or customer service, but to let him know how pleased I was with my purchase. His response was so gracious, I felt like I was talking to a friend or good neighbor. Definitely someone honest and worth doing business with.
I want to close this post by thanking the folks on the forum for sharing experience and what you know. I live a very rural life and don't travel much. Opportunities to critique a variety of equipment at shows or audio shops are virtually nonexistent for me. Audiogon has been an excellent place to narrow down the thousands of possible choices that I could never possibly pursue and sometimes get solid advice =)
professorsvsu
That was pretty much my experience exactly. Kept reading comments and reviews, couldn't find anything locally worth buying, read a bunch more then finally called Keith. Never recommend anything but in-home audition but sometimes you just can't. Honestly, given the reviews and then after talking to Keith, just seemed like as close to a sure thing as you ever can get.

Since then I have called Keith a couple times. Yes one was just to tell him how happy I am! Hard to say which is his most impressive character trait, perfectionism or modesty. Either way just what you want in a builder.

Just a little fyi- building these things requires things like ordering rather large production runs of parts like the chassis which ties up a lot of capital. Not all that long ago he was at the decision point of maybe making the last VTPH-2A. I would have had nearly the last one made. 

I mention this because in talking with Keith this came up and he decided to continue making these and that my Audiogon review was a factor. Now in no way am I taking credit. Rather this is to make the point there really are some people like Keith who are in this and doing it for more than the money.  


My experience exactly. I felt like my small sale was as important to Keith as a large one would have been. A pure class act, except it’s no act. I sat and talked with him at the Irvine Hi-Fi Show in 2014, I believe it was, and found him to be a down-to-Earth, no-pretense kinda guy. Maybe it comes from being from the Midwest!

Like some other excellent hi-fi designers, Keith comes from the Pro Sound world. Tim deParavicini (EAR-Yoshino) does a lot of work in recording studios, as did David Manley (a friend of mine who owns a studio has a Manley tube mic pre-amp, and loves it). The number one priority in Pro Sound is reliability, so designers like they (Roger Modjeski of Music Reference is another) use parts over-rated for the voltage levels they have to withstand. Great sound is important, but so is hassle-free operation!

I had my VTPH 2 upgraded to the 2A and as good as it was it is exceptional now. Quite possible one of the finest phono-stages available irregardless of price and most certainly competitive with the top tier products. It would have been a shame had he quit offering the VTPH-2A.

Chuck