@gochurchgo,
most of my critical listening is jazz based, but that includes artists like Ron Carter.
Bass heavy recordings in my collection include Jill Scott, Eryka Badu, Tool, and rap artists like Talib Kweli.
I am running dual 15” sealed subs in my system which are eq’d with an SVS AS-EQ1, a discontinued but invaluable piece of equipment.
I have tried the M3s with subs out of the system, and in my room the low end was missed. But, I have a terrible room for bass. Small in dimensions, huge in volume due to a 2 story height, and also open to the rest of the house. I’ve run the dual subs with every speaker pair I’ve owned.
It sounds like you might prefer the M3 with some sub reinforcement, or at least eq or tone controls. They don’t do deep bass in large rooms, but they’re strong in areas like soundstage and in creating a “live” sound that I find addicting.
let me know if I can help with any other questions.
most of my critical listening is jazz based, but that includes artists like Ron Carter.
Bass heavy recordings in my collection include Jill Scott, Eryka Badu, Tool, and rap artists like Talib Kweli.
I am running dual 15” sealed subs in my system which are eq’d with an SVS AS-EQ1, a discontinued but invaluable piece of equipment.
I have tried the M3s with subs out of the system, and in my room the low end was missed. But, I have a terrible room for bass. Small in dimensions, huge in volume due to a 2 story height, and also open to the rest of the house. I’ve run the dual subs with every speaker pair I’ve owned.
It sounds like you might prefer the M3 with some sub reinforcement, or at least eq or tone controls. They don’t do deep bass in large rooms, but they’re strong in areas like soundstage and in creating a “live” sound that I find addicting.
let me know if I can help with any other questions.