Can we finally put Reel to Reel out of its misery? Put it to rest people.

Thanks for the welcome! On a publication, if I am not mistaken the National Recording Preservation Board, at the beginning of the new millennium it was estimated that about 80% of human knowledge understood as music, data, writings, etc. it was still recorded and stored in analog form (vinyl records, magnetic tapes, etc.). So the problem for RAI but also for the competition is that of the enormous amount of data to be transferred and that is why they have taken all the available machines out of the warehouses. Furthermore, there are many problems of degradation and poor preservation of analogue media that require very slow and delicate technologies to read them and then digitize them.

Here some intersting link: http://cool.conservation-us.org/bytopic/audio/
http://www.arsc-audio.org/journal.html
https://www.clir.org/pubs/reports/pub54/
http://www.clir.org/wp-content/uploads/sites/6/pub137.pdf

Enjoy the reading!

Roberto.

Glupson,

I think you have got a bit confused about the "vault". Sony, Warners, BMG all have vast temperature and humidity controlled vaults, where they keep the original multi-track and stereo mix down MASTERS. These never leave the record company.
Copies (in their hundreds) were made by the record company and sent all around the world to record pressing plants. When these record pressing plants went bust in the 80/90s, the copies (production/distribution masters) were just put into skips/dumpsters. Some of these got rescued, preserved, and now find their way onto the market.

Charlie

topoxforddoc,

I think I understand now where it came from and what copy it was. It was as close of a copy as a local distributing company could get to the original and it served as that to make actual records. That would make it, for all practical purposes, an "original" for that local pressing plant. That is what is puzzling me, why would they give it away? I know it may be impossible to find out about each particular tape. It just does not seem expected.

As life gives us surprises where we would never expect them, I got stuck with that particular tape of yours as it brings back a few memories. I visited that room a couple of times and I believe I might have been in it at the same time your tape was (just passing through as a curiosity, not much else). Remembering people there, it is hard for me to imagine they just threw the stuff away. Who knows, maybe they did.

topoxforddoc,

Thanks to Google, I found this website you are certainly familiar with.

Clicking on pictures makes it even more confusing. All the available tapes are from very short period. Roughly 1987-1993. Nothing that I could find from decades before that. I did not check those with no pictures, though. Almost like someone decided that nothing after 1987 was worth keeping and everything before that was too good to be thrown away. Puzzling.

All are on the same tape (Agfa PER 528) which was probably the standard of the day but I wonder if every major company had really used only those to send to the local pressing plants.

https://www.mastertapes.eu/jugoton-masters#myCarousel