Tone, Tone, Tone !



I was reminded again today, as I often am, about my priorities for any speaker that I will own.

I was reminded by listening to a pair of $20,000 speakers, almost full range. They did imaging. They did dynamics.They did detail.

But I sat there unmoved.

Came home and played a number of the same tracks on a pair of speakers I currently have set up in my main system - a tiny lil’ Chihuahua-sized pair of Spendor S 3/5s.


And I was in heaven.

I just couldn’t tear myself away from listening.

Why?

Tone.

The Spendors satisfy my ears (MY ears!) in reproducing music with a gorgeous, organic tone that sounds so "right.". It’s like a tonal massage directly o my auditory system. Strings are silky and illuminated, saxes so warm and reedy, snares have that papery "pop," cymbals that brassy overtone, acoustic guitars have that just-right sparkle and warmth. Voices sound fleshy and human.

In no way do I mean to say the Spendors are objectively "correct" or that anyone else should, or would, share the opinion I had between those two speakers. I’m just saying it’s often experiences like this that re-enforce how deeply important "the right tone/timbral quality" is for me. It’s job one that any speaker has to pass. I’ll listen to music on any speaker as background. But to get me to sit down and listen...gotta have that seductive tone.


Of course that’s only one characteristic I value. Others near the top of the list is "palpability/density," texture, dynamics.

But I’d take those teeny little Spendors over those big expensive speakers every day of the week, due to my own priorities.

Which brings me to throwing out the question to others: What are YOUR priorities in a speaker, especially if you had to pick the one that makes-or-brakes your desire to own the speaker?

Do you have any modest "giant killers" that at least to your way of thinking satisfy you much more than any number of really expensive speakers?



prof
CDs are the poster child for not getting anything right - tone, dynamics or resolution! 🤗
Often I find that people define tone as pleasant coloration. When you examine how a speaker is made and all of the specifics of this design, you can usually predict very accurately how this speaker will sound. A perfect example for me would be Harbeth. If this is what you like then more power to you, but please dont mistake these type of designs as accurate. For me a speaker should as much as possible reproduce what they are handed and this is not what speakers like Harbeths or Spendors for that matter actually accomplish. Having said this, I far prefer these designs to examples representing the "West Coast" sound. 
Tone(timbre),detail,dynamics,soundstage in that order are most important to me.If it's not 100% correct in someone else's opinion no matter.
but please dont mistake these type of designs as accurate. For me a speaker should as much as possible reproduce what they are handed and this is not what speakers like Harbeths or Spendors for that matter actually accomplish.
I agree that personal preference is important, but I'm puzzled by your assertions here.  Harbeths measure quite well.  Subjectively, I'd say I've never heard string instruments and voice (sounds for which I have frequent live reference) as accurately reproduced as on a Harbeth.  What, specifically, is inaccurate, and to which model do you refer?