Merrill Audio ELEMENT 118 on Tour


As some of you know I had to deal with a serious family medical issue which has been miraculously cured. So the new ELEMENT amplifiers are getting out to all those asking about them and the few lucky ones that have purchased them.

The ELEMENT 118 and ELEMENT 116 will be going out to reviewers and on tour to various audiophiles and dealers. So more will be showing up. I will provide a short trail and welcome questions and comments, all in good spirit.

After years of research and using OEMS, we have a proprietary design that we believe is an order of magnitude improvement over the previous amps and also sets a standard across all the classes of amps in terms on sonics. Of course taking a listen and doing a comparison is the best way to confirm this.

The new design is an open loop, zero feedback, and zero deadtime, using the Gallium Nitride Transistors - which unlike other transistors have close to zero capacitance and hence allow very fast switching. Additionally the PCB and layout is a highly advanced layout that reduces the parasitic capacitance and inductance to near zero, allow close to zero overshoot and ring, and of course the zero deadtime. The open loop, zero feedback, zero deadtime allows a spacious and precision stage with long detailed decays, very fast attack without the parasitics causing other distortions. The first 10 seconds impresses the listener with a musical tone, that is open, wide and fast. The rest is musical immersion.

I will post the systems as they are run through as best I can. Enjoy and I hope you get to listen to the ELEMENT Series of Power Amplifiers near you.
merrillaudio
The " stated " signal to noise ratio on the Veritas seems to be much lower than on the 116, 128 db vs. 110 db. Is this a mistake ?

Probably Merrill was just stating the factory spec for the NC1200 module whereas he is actually measuring? his 116......A lot of "factory specs" never are realized in real life.  Maybe Merrill will chime in here.   These specs mean very little in terms of listening.  You could have a no oversampling DAC with pretty bad signal to noise ratio that sounds way more transparent than some DAC with tons of filtering (digital and analog).  We know the 116 is better than Veritas (verified by many).  But is it better than the $5000 mono Van Alstine amps that clobbered the Veritas?  How about the Cherry Megachino II amps?  How about the Nuprime biggies, the NC1200 amps from Nord, my $2500 dual mono tweaked to the max IceEdge amps?......not to mention tons of other class A and A/B amps (transistor and tube).

In the above review what amps do width, depth and decay better?  He only rated the 116 4 or 4.5 notes on these categories.  Another fine review telling us nothing.

Wouldn't you love it if some reviewer got the "reputed best" 20 amps under $25,000 and tested them all at the same time.  Burning them all in for a month.  Testing them on different feet and with different power cords and on several systems.  Then we will know something.  We know nothing!!!!!!  High end audio is just a bunch of illusions.....he he.  Buy whatever makes you happy, just don't compare it to anything else.....you might not like what you paid big bucks for. 

As a violinist, I think this latest review by Dr. Michael Bump is reasonably informative.  Many audiophiles describe sound in terms of width, depth, decay.  These are all derived characteristics, particularly width and depth which are subjective, whereas the fundamentals of music are frequency balance and extension, transient response and tone.  Dr. Bump certainly describes the amps with the educated ear of a professional musician whose training and present activity revolve around clarity and precision, as he states.  These are the most important characteristics of both live and reproduced music.  It would have been more informative if he compared the 116 and Veritas in the checklist at the conclusion.  Importantly, the 116 is given the maximum 5 notes for attack, but is the Veritas only 4 or 4.5 notes?  I didn't research any prior review of the Veritas in the same magazine which could have been done by someone else.  Maybe they rated Veritas as 5 notes for attack, but what counts is how a single reviewer rates both products in various criteria.  Dr. Bump is very articulate, but it helps to see numerical ratings as a summary at the end.

I hope the upcoming review comparison by Srajan in 6 moons of the prototype amp with Purifi module and the 116 is properly informative.  Let's keep our eyes peeled.
bill_k711

wow.

Thanks for sending me deep into yet another rabbit hole lol

Here's a few snippets from around the world on the 60 grand euro SPEC, their 100w is a mere $5999, neither the wpc nor the price work for me

2019   ‘Amplifiers SPECa compared to my reference system, i.e., preamplifier Ayon Audio Spheris III and power amplifier Soulution 710. I also used my notes and memories of the other tests, the range-topping amps:Kondo OnGaku, Phasemation MA-1000, AudioPax Maggiore l50 + m50and Thöress Dual Function Preamplifier + 845 Mono’.

Become however together with You, in front of a special challenge – that a company known for still of high quality, expensive amplifiers produced amp cost more, model RPA-MG1000 – this is one of the most expensive amplifiers on the market. It cost 60 000 euros device regular power amplifier, but in practice is an integral amplifier. We'll come back to that.

Importantly, besides the price, is that the amplifiers are SPECIAL working in class D. In the materials that I received in may 2013 during the exhibition the High End, it's the first time I met with the owners of Shirokazu Yazaki you and Tsutomu Banno – present chief engineer of the company – we find an eloquent picture, which shows the progres from tube amplifiers, known as "generation" 1.", through classic amps of the semiconductor, i.e. "generation 2.", to the new amplifiers in class D, which is 3. generation of amplifiers in General.

And we are not talking at all about what the Lord Yazaki-San and Banno-San does not like lamps, all exactly the opposite-they are the experts on lamps develop wonderful amplifiers of this type. It is just that I see the benefits that new technology brings. So they can be used for making any of this made sense to approach the project the right way and choose the right methods. For them, the key to achieving top-end sound from semiconductors is their work in class D.

In the tested amplifier was both types of capacitors. And this is because the SPEC gives the user a choice of sound character. For the first time this possibility was introduced in przedwzmacniaczu gramofonowym REQ-S1EX in 2013, but here taken to extremes. On a separate Board, after the filter in the output, we have two groups of capacitors and resistors. One of them is called "musicality", and the second "neutrality". This is not EQ color because it does not change the sensitivity characteristics (measurement frequency characteristics for both systems are identical) and changed the layoutthe character of the sound. Between these two modes selectable with a small switch on the rear panel.If for a moment to discard prejudices – because of bad amplifiers in class D is a lot – and we will focus on the basics, it may be easier to understand what it's wrote in the part dedicated to odsłuchom.

  http://highfidelity.pl/@main-3464&lang=