Bryston 4B3 or Ps Audio M700 monoblock?


I'd like to replace my 20 year old Bryston 4B SST with a new amplifier, solid state or hybrid. I have been considering the 4B3 and the PS Audio BHK 250. Both got great reviews but I am a bit concerned about the midrange withe the 4B3 and I do not like the amount of heat that the BHK 250 is  reported to produce. I am thinking now of the PS Audio M700. These are efficient class D and do not produce much heat. The M700 has also been reviewed favorably. It's a stereophyle class A.
I appreciate any thoughts on this, an din particular if you have experience with these amps.
benjosef1
For those who don't know a lot about the Stellar M700 monoblock, It was designed by a passionate young engineer named Darren Myers, who is also a committed audiophile. He worked for Classe and B&W before being hired by PS Audio. His excitement in designing gear that sounds really good is shown clearly in a YouTube video of an interview he did at AXPONA 2019 with Michael Fremer: https://www.youtube.com/watch?v=oFspgDyjEQo

I had already bought my M700s by the time I saw this video, but it was fun to find out a bit more about the main engineer behind the PS Audio Stellar gear.




benjosepf1,

     I'd suggest you audition the M700s in your room and system.  I think you'll find that the M700s are a very good match with your Rogue 99 tube preamp if you like the sonic qualities of this preamp.  
     The main characteristics you'll likely notice on the class D mono-blocks is that they have a very low noise floor, very low distortion levels and that they're very neutral.  They are like the audio ideal of a straight wire with gain meaning nothing is added or subtracted from the inputted signal.  This will result in the combination of the sonic qualities of your source components, the recordings and the Rogue 99 tubed preamp the main determinants of your system's overall sound, since the M700s will just be faithfully amplifying this combination's output without any added sound quality of its own.
     You should be aware that class D amps are very accurate and revealing which can sound very good if the quality of your recordings and other components in your system are of high quality.  However, if the quality of your recordings and other components in your system have deficiencies, class D amps will not sugar coat anything and you will be clearly aware of any deficiencies.  
     The downside of using class D amps is that the quality of some of your music , that sounded good to you through your previous amp, will not sound equally as good if it wasn't well recorded because the accuracy and transparency of a good class D amp will expose that deficiency. I use a pair of D-Sonic M3-600-M class D mono-blocks in my system and, fortunately, only my Coldplay albums were exposed as poorly recorded.
     The flipside of this, using class D amps with well recorded music, will be sound quality performance levels that are exceptionally good.  Music  emerges from a dead quiet background with live-music-like dynamics and a very detailed presentation that still sounds smooth, organic and natural.
    I suggest you give the M700s an audition and experience good class D performance and decide for yourself if you like the overall sound quality in your system.  I definitely advise doing so before buying anything else to ensure you make an informed decision.


Enjoy
 Tim
Thanks to all for very helpful information. I think I'll give the M700 a try. Thanks again.


     Great, please post back on this thread with your impressions.

Enjoy,
 Tim
reflecting on your comments, I am curious as to why you think I should not consider PS Audio (gammonit-2000)