Musicians in your living room vs. you in the recording hall?


When it comes to imaging, soundstage and mimicking a recorded presentation, which do you prefer?
Do you want to hear musicians in your living room, or do you want to be transported to the space where the musicians were?
erik_squires
The recordings I’ve personally done, take me back to the venues, in which they were made. That’s always been my goal, in the home. Long as my system accomplishes that, I know I’m recreating whatever ambient info is contained in my other media, as well. Of course; then there are studio recordings, with electronic effects, manipulated by someone moving knobs/faders, to create the illusion of a space and sounds expanding/decaying into it. If my system does the first correctly, I know I’ll experience, whatever that guy intended(and laid down). That’s my personal preference/experience, regarding the issue. Obviously; there are other tastes. Can’t wait to hear from those that have never heard, or don’t know how to listen for a, "sound stage" or, "sound field"(the ambiance/Sabine signature of a venue), and how live instruments sound in one. You know: the, "If-I-can’t-hear-it-it-doesn’t-exist" and/or the, "if-my-system-can’t-do-it-it’s-some-kind-of-distortion" contingent.
Assuming the speakers and system have a neutral perspective, that might depend on how far away the mikes in the recording were. For large scale orchestra, I might like to be "there". For close-miked bands I like them to be "here".
Hi Erik,

You’ll find the following thread from 2010 to be of interest, as it discussed exactly the same question:

https://forum.audiogon.com/discussions/quot-they-are-here-quot-vs-quot-you-are-there-quot

I had a number of lengthy posts in that thread, but the bottom line in my case was (and is):

Almarg 9-5-2010
As someone who listens primarily to classical music, my goal is to duplicate as closely as possible the experience of hearing a live performance from a good seat in a good hall (less extraneous sounds from the audience or other sources, of course). Therefore I am in the "you are there" camp.


Best regards,
-- Al

Both. Since my listening room is as small as a small venue I can enjoy both.

A listening room that is too small (like a bedroom) tends to leave too much of its own sonic signature. Same with a very large room like a gymnasium. In between is ideal - around 5000 cubic feet being optimal. There should be plenty of space behind the listener.