Assuming the speakers and system have a neutral perspective, that might depend on how far away the mikes in the recording were. For large scale orchestra, I might like to be "there". For close-miked bands I like them to be "here".
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Hi Erik, You’ll find the following thread from 2010 to be of interest, as it discussed exactly the same question: https://forum.audiogon.com/discussions/quot-they-are-here-quot-vs-quot-you-are-there-quot I had a number of lengthy posts in that thread, but the bottom line in my case was (and is): Almarg 9-5-2010 Best regards, -- Al |
Both. Since my listening room is as small as a small venue I can enjoy both. A listening room that is too small (like a bedroom) tends to leave too much of its own sonic signature. Same with a very large room like a gymnasium. In between is ideal - around 5000 cubic feet being optimal. There should be plenty of space behind the listener. |
A listening room that is too small (like a bedroom) tends to leave too much of its own sonic signature. I don't mind them in my bedroom : ) https://www.rediff.com/getahead/slide-show/slide-show-1-glamour-top-20-sexiest-female-musicians-of-a... |
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