Musicians in your living room vs. you in the recording hall?


When it comes to imaging, soundstage and mimicking a recorded presentation, which do you prefer?
Do you want to hear musicians in your living room, or do you want to be transported to the space where the musicians were?
erik_squires

Not sure there is an option. My system recreates what was on the recording.  If it is a live recording I can hear the hall and the people there, if it is a studio recording I hear what is on it.  Hand claps are the key for me to hear and see how they sound on the recording.  IMO I listen to the backing vocals and instruments to see if they are "real sounding".  Many times when I hear a system, the bongos, drums and cymbals don't sound real to me because system recreates them better.  The bongos and drums sound like they are made of cardboard and I don't hear the actual skin flex, or the effect of the body of the drums.  Piano has to sound right also.  I need to hear the body of the piano, the string thickness, size, how the hammers strike the strings, etc.  Most people I do not think actually hear and can distinguish what a real piano sounds like in different systems or even care.  But what do I know?


 

It's also worthy of note; every great venue, in history, was designed/constructed with reverberation/Sabine effects/ambiance in mind, even before the builders knew what to call it.  Whether good or bad, every room/venue has a sound.    One will hear reverberation outdoors, as well, in areas with trees, buildings, mountains or cliffs, nearby(and- given a loud enough source).   If one wants to accurately recreate an event: ambient sound recovery = realism(and, as mentioned, "ESSENTIAL", regarding that goal).    Again- tastes may vary(facts don't).        
From my explanation (with help from May and Peter Belt) of how the Clever Lil Clock works,

Time is Relative
The Clever Little Clock addresses an esoteric but fundamental problem that occurs when playing an LP, CD, DVD or any other audio or video media. This problem also occurs when watching taped programs on television or listening to recorded programming on the radio in your car or at home. In all of those cases the observer is confronted - subconsciously - by time coordinates that are different from the Present Time coordinates he’s been using his entire life to time-stamp sensory information. What are these interfering time coordinates, where do they come from and why are they a problem?

The alien time coordinates are contained in the recording (or videotape). The time coordinates (of what was then Present Time) of the recorded performance, millisecond by millisecond, are captured inadvertently along with the acoustic information. When a recording is played, the time coordinates from the recording session (which are now Past Time coordinates) are reproduced by the speakers along with the acoustic signals of the recorded event. Those Past Time signals become entangled, integrated in the listener’s mind with Present Time signals. Because the listener is accustomed to using Present Time signals to synchronize his chronological memory, he subconsciously perceives the confusing, interloping Past Time signals as a threat. This perceived threat produces the fight-or-flight response, which in turn degrades his sensory capabilities. The reason that live television broadcasts, like the Superbowl and the 2010 Olympics, are generally observed to have superior audio and video compared to taped broadcasts is that they don’t contain Past Time signals, only Present Time ones.

Full explanation at,

http://machinadynamica.com/machina42.htm
For rock concerts and orchestra I prefer my home theatre system. I put on Thunderstruck by AC-DC in the Live at Donington blu-ray the other day with the receiver set on DTS Neural X and about blew the windows out. I'm sure my L shaped living room colored it somewhat but who cares. It's about as close to a wall of sound with 3-D imaging as I can manage. I prefer my vinyl system w/ELAC B-6's and small subwoofer in a smaller room for acoustic guitar or jazz in small club or other acoustic music.
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