Reasonable high end interconnects: without breaking the bank


I am in the process of updating my audio equipment and have realized my interconnects are probably not up to snuff; I use the ones provided by the manufacturers.  My current set up includes a Leben cs600 amplifier, California audio lab Icon Mark II CD player, Linn Akurate Streamer, Feikert Volare Table and Spendor SP1 speakers ( in final stages of upgrade to either Audio Note E, Devore O93 or Joseph Profile).  I have been investigating interconnects and have a bit of sticker shock.  So any suggestions on interconnects that won't  bankrupt me?  Is silver truly preferable to copper with respect to resolution and detail?
Thanks
MP

rivinyl
We observe with our senses.
True. Perhaps these discussions should should end quickly with the "agree to disagree" reasoning. I am guilty of this. Thinking about the passion we have for the hobby, we are much more alike than not. 
Dave
I use a lot of Ernst&Engbring microphone cable in my audio systems. Neutral no-nonsens cables at a reasonable price. I haven't compared it to cables in the $1000/m range but so far they have outperformed all other cables that I have tried.

They BTW comes as standard with Neumann microphones and Rupert Neve uses it a lot too.

It's a 3-lead cable so for unbalanced connections it's recommended to use one of the leads as shield return. In this configuration I have used it for unbalanced signals up to about 20m without a hint of any problems.

If it should be regarded as a high-end cable can of course be discussed as it is a professional product aimed primarily at the recording industry but you might already have 25m of this cable in your signal path without knowing it. That is, if the recording was made in a Rupert Neve designed recording studio with his mixing console and a Neumann U47 as the vocal mike.

Even if one likes to spend more money on primary cables in a system it is an excellent cable to use with tape decks, FM-tuners and other such sources. It comes highly recommended!