Musicians in your living room vs. you in the recording hall?

There it is prof, the game is making a system recreate that “richness” of what you hear live, from the visceral impact of a rock concert to the timbral expression of a string quartet. Very few systems can do this for a multitude of reasons from bad acoustics, very few of us can afford to build a custom room, to not being on the top rung of a person’s financial obligations.
But, it can be done and done for less than luxury hi fi money. Still not cheap though. So the goal is to do the best you can with the money available which has always been the fun part for me. Learning along the way. 
I know what you are talking about and whole heartedly agree. I’ve been chasing that solution for decades. Given a decent room it can be done.

jhills, prof,

I, like you, find live music engaging more often than not. In my post, I was, obviously in a very clumsy way, pointing towards my observations of mostly classical music concerts. At times, out of curiosity, I close my eyes and listen trying to compare it with what I have at home (admittedly, mid-fi for many, if not most, of you) and what I have heard on systems way better than mine. Each and every time, I notice that electronic reproduction has more of everything. On a good day, meaning in the right mood, those Bluetooth speakers can present as much "energy" (not in Joules, but in some virtual feel) as some of the actual concerts can, if not more.

Out of curiosity, has any of you heard Pink Floyd Wish You Were Here SACD and that acoustic guitar on the title song? I am yet to have a non-audiophile person hear it and not be impressed by impact. Except that a real guitar, in the same room, does not sound anything like that. Of course, much more goes into that SACD recording and reproduction and it is, in some way, apples and oranges but nobody ever got impressed by the guitar. Everyone got impressed by the recording of a guitar. Real one is much more bland. Crappy of a guitar as it may be, it is a real deal. I tried Jose Marin's Tonos Humanos, too. Same thing.

Once it comes to electrified music, trying to achieve the distortion of a live venue at home to me borders on comical. Don't get me wrong, nothing so far has beaten Chuck Berry at the Duck Room, Queen in 1979, Percy Sledge in Damrosch Park, or a few more, but in audiophile terms, they are way better at home.

geoffkait,

"Glubson, sadly perhaps, is difficult to take seriously."

Do not present your lack of capability to understand as my flaw.

"Rock music is all distortion to begin with? Cut me some slack, Jack! Earth to Glubson!"

Instead of some slack, how about some wah-wah pedal?

You can also find some informational book that will explain what knobs on an electric guitar are for. I have not read this particular one, but I suspect it may have it mentioned.

https://www.amazon.com/Guitar-Dummies-Online-Video-Instruction/dp/1118872029/ref=asc_df_1118872029/?...

Or you can get an idea for free...

https://reverb.com/news/volume-and-tone-knobs-your-most-underrated-effects