Right. I'm not sure how that works either. Speaker design (active or passive) involves a number of choices. Filter points, slopes, eq, etc.
About the only thing you don't worry about as much with active is the impedance curve and filter interactions, and of course, buying several parts you aren't going to use in the final product. :D
But setting the filter points, and telling the room correction software to handle the EQ won't solve beam or lobe issues.