As David is aware, I have been evaluating the Cube Nenuphar’s mounted on Townshend’s Isolation Podiums over the last week. Could a really great speaker get even better? Here are my findings:
System set-up:
Cube Nenuphar’s, Mola Mola dac and amps, Fidata server, Sablon cabling, SteinMusic Harmonizers, Bybee Signal Enhancers fitted to dedicated mains consumer unit with separate spurs to each component, Ingress Engineering footers/slate platforms/air spring isolation on dedicated solid maple furniture fitted with Ingress cup and ball footers.
Music:
Local files stored on the Fidata server.
Carmen Gomes Sings the Blues DSF live recording
Arne Domnerus Jazz at the Pawn Shop DSF live recording
Leonard Cohen You Want it Darker FLAC
Rebecca Pigeon The Raven FLAC
The Los Angeles Percussion Quartet The Year Before Yesterday FLAC
Arvo Part Tabula Rasa Lithuanian Chamber Orchestra Keith Jarrett WAV
As we both know effective isolation brings big improvements in SQ. I knew from my experience with Boenicke speakers that have a Swing Base Isolation set up as an option, that isolating the speakers really helps. So many speaker manufacturers overlook this.
When I received the Cube Nenuphar’s I was really happy with the sound of them but felt that it would be good to try isolating them to hear if they could sound even better. Max Townshend’s Podiums seemed to be the obvious solution and I had seen them working very effectively at a show. I have known Max for a long while and we had a great chat about the benefits of isolation in general. The Cubes gave me the opportunity of trying out Max’s Podiums.
The Nenuphar’s as you know are a very open and natural sounding speaker already but mounted on the Podiums these attributes just increased. The live recordings just sounded more real and the space between the players was more clearly defined.
On the Los Angeles Percussion Quartet, the various bell sounds just sounded clearer, open and more natural. Bass drums on this recording sounded more real with me increased depth and timbre.
On Arvo Part, you could sense the body of the piano more.
Leonard Cohen’s voice sounded smoother, more open, less overblown but with increased texture.
Both live recordings really opened up further and sounded more live.
In summary: a worthwhile upgrade that brings the following improvements from my listening notes
Increased space around instruments
Music more absorbing and delicate
Increased transparency
Clearer top end
Improved transients
Greater harmonic structure to the music
Better cohesion
Increase in detail
Bass tighter more natural
Depth and openness increased
Notes last longer