Horn Speaker Recommendations


I am looking for your feedback on what Horn speakers I should consider in the $15k-$40k price range.  Please describe the rationale for your recommendations.  
willgolf
Well emotion is a large part of the experience and what we all seek, but I dont understand the reference to 70s sound. The goal should be truth and an honest and accurate representation of the original material. This is the only benchmark that is acceptable to me. 

Umm....The guy likes the sound of 70's speakers? Is that so hard to grasp? Thats what makes him happy....he doesnt care what makes you happy. Looking at your posts everything is about You You You and its your way or the highway. Well guess what??

JBL Monitors are the obvious choice to get the "70's" sound if thats what your after. These were the speakers used in almost every studio to create the albums from that time period...hence the term "Studio Monitors". So THIS is the sound as was intended at the time of the creation of the music. How do you get more truthful and accurate as that?

I have the L166 and they were completely restored to Spec by MILLERSOUND who is famous for their restoration services for vintage speakers. I find them paired with other JBL monitors with better midrange to be a great combination (4312A, 4412 etc). L166 have great highs but definitely leave something to be desired in the mids....to my ears. Im sure the 15K JBL 4367 Horns are amazing. My buddy had them but then upgraded to the AG Duo Mezzo and the 4367 left the building.

With all the blah blah blah presented by jsautter, in his 200 posts, he does not mention what speakers he owns. I am sure they are wonderful, but, probably a speaker not for everyone. Let’s have it, jsautter ? Let us know what your " benchmark " is, considering, a perfect speaker, does not exist, always having trade offs.  
My main speakers are Ascendo Model Ms. In other rooms I have older Kharmas (due to cheap price when purchased), Phase Techs in the garage and some modified Radio Shack 4 speakers with Lineum tweeters. In fact, the garage would be the ideal location for some horns. 

In a sense, as an enthusiast, you are only as advanced as the best system you have ever heard.

I dont feel it necessary to preface every statement with an "in my opinion" as this is a given.

I think that you all need to listen to what johnk says as he certainly to me seems to know the most about horns and speakers from a perspective similar to those that mentored me about this particular speaker design. 

My list of audio absolutes:

1) analog is better than digital

2) all things equal higher impedance speakers are better than lower impedance speaker and sealed speaker enclosures are better than ported or transmissions lines

3) all things equal first order crossovers are best

4) never mix dynamic low frequency drivers with horns or planar
speakers


I object to a number of riaa's assertions about JBL Monitors but I will address these at a later time. I will say that listening to recordings mixed on JBL speakers will still sound better through an accurate system that is neutral than through a system that is not.  
I have not heard the PureAudioProject speakers, but I like the looks and I like the concept.  I like open baffle speakers, but, if deep bass is a must, I would caution that a relatively narrow open baffle speaker can be expected to roll off in bass response because of out of phase cancellation between the forward moving wave and the back wave.  The open baffle woofer speakers that I've heard with somewhat deep bass (not really that deep), had pretty large baffles to reduce front and back interaction.  Most recently, I heard a system with twin 18" fieldcoil woofers in a baffle that was about five feet wide.  The Shearer systems that Johnk mentioned had baffles much wider than that.