Glue choices for making the Garrard 301 plinth


Hello Audiogoners,
Is there anyone who has experiences on making the plinth for the Garrard?. I am reading somewhere that the choice of glue could affect the sound of the turntable. I am also reading about the hide glue is one of the glue I should use. Please let me know of what you think about it and give me some advices please.

Thank you,

Calvin
dangcaonguyen
Original Titebond is excellent, been using it for 25+ years, 2k Resin (Prefere 4152) or West System epoxy for truly difficult materials. These 3 do 98% of all our bonding, I reccomend the Titebond in this case.
Real hide glue (Scotch / Pearl) is not worth the effort, far less strength and degrades over time.
@glennewdick  What do you think of ball bearing in exchange for sand as damping material? I have seen the Teres table used it for their turntable.
@ps68 
I really want to experiment in hot hide glue on this cherry plinth to see what kind of sound I will get, but I will keep your comments in mind for the next plinth I will build. 
never considered ball bearings to be honest. 

I thought of led pellet's, sand and a synthetic putty we use at work for similar things but that didn't have the longevity needed. remember what ever you put in there is in there for life. 

In the end sand seemed the easiest to fill the void (and wasn't toxic) as I didn't want any open spaces I figured they could cause resonance chambers.

 if you pick sand don't get it off a beach lol buy proper dried sterile sand. 

also there is nothing saying you need to put a chamber in at all most people don't I was experimenting. seems to work, but I didn't build one with out so hard to tell if its working beneficially or not. 

our thinking was to try to mimic the idea (not implementation) shindo used with out the expense.  

just relized my system photos are rather old.