"
they fall into a category of similarity to the monstrous horn speakers
johnk was talking about. The projection, presentation, and
pressurization ( the 3 Ps ) of these, would be too much in a typically
sized room.
"
Well monstrous I guess is in the eye of the beholder and anyone can go to the Klipsch cinema site and get exact dimensions to plan by. There are more of these in houses than people might think because they do not overwhelm anything but rather bring stunning big stage realism to even moderate sized rooms. You control the volume and if you want it stupid loud you can go there. If you want striking fidelity at any level loud or quiet you can go there too only it adds presence smaller speakers and half horn and half direct radiating speakers only dream of.
Before Paul Klipsch died these were being developed as the next stage after the KHorn. Subsequently they made it only to the Cinema line we Klipsch guys figure because they are twice the sound of KHorns and half the price. Pro speaker buyers are a lot more fussy about price combined with superior sound for that price. About that 60' piano. Sounds good but in reality if the recording has the piano centered in the room so will the Jubilees and crap recordings might give you a 60' sound stage good ones give you a regular piano with precision.
OP before you let people fill you full of their opinions on why things like Jubilees WONT work go to the klipsch forum and find out why they will work from people who have done what you want to do. If you are really seeking sound and not status you simply can't ignore what horns bring to the table. Projection and presentation and pressurization making these unsuitable is nonsense. Talk to those who have done it and see what they have to say. You pass the idea up of a pure horn system you will regret doing so if you ever hear anything like those Jubilees.
Well monstrous I guess is in the eye of the beholder and anyone can go to the Klipsch cinema site and get exact dimensions to plan by. There are more of these in houses than people might think because they do not overwhelm anything but rather bring stunning big stage realism to even moderate sized rooms. You control the volume and if you want it stupid loud you can go there. If you want striking fidelity at any level loud or quiet you can go there too only it adds presence smaller speakers and half horn and half direct radiating speakers only dream of.
Before Paul Klipsch died these were being developed as the next stage after the KHorn. Subsequently they made it only to the Cinema line we Klipsch guys figure because they are twice the sound of KHorns and half the price. Pro speaker buyers are a lot more fussy about price combined with superior sound for that price. About that 60' piano. Sounds good but in reality if the recording has the piano centered in the room so will the Jubilees and crap recordings might give you a 60' sound stage good ones give you a regular piano with precision.
OP before you let people fill you full of their opinions on why things like Jubilees WONT work go to the klipsch forum and find out why they will work from people who have done what you want to do. If you are really seeking sound and not status you simply can't ignore what horns bring to the table. Projection and presentation and pressurization making these unsuitable is nonsense. Talk to those who have done it and see what they have to say. You pass the idea up of a pure horn system you will regret doing so if you ever hear anything like those Jubilees.