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Separate Phono Pre - $$ before I will hear a SIGNIFICANT difference vs. integrated?

In my search for a new Pre-Amp - one of the factors that I am considering is the "Line-Stage" vs. "Built-In Phono Stage" factor.

If I opt for a Line-Stage type - I will probably want to add a separate Phono Pre. I presently do like to spin some vinyl, but I only do it occasionally at the moment because I do not have a permanent place to place the TT. (I store it carefully when not in use)

TT = AR "The Turntable" with Straight (Jelco) Tonearm and Shure MX-V VMR Cart

Q1. How likely is it that something affordable (Like Schiit Mani around $130 USD or Mofi Studio?) will sound equal to or better than the phono stage of the NAD 7220PE Receiver that I am presently using?

Q2. How far up does one need to go in order to note a SIGNIFICANT step-up in Audio Performance?
(Maybe something with Balanced Outputs that is easy to locate CLOSE to the TT?)
geeqner
elliottbnewcombjr
5,793 posts
 
remote balance, not common, is a feature I find quite important, for some individual songs on CDs and/or LP, especially best of, compilations.

I make very slight tweaks left/right to specific songs, it is amazing how much everything (not just the primary artist) 'opens up', spacial cues, depth ... can be revealed.

cleeds
6,089 posts
 
elliottbnewcombjr
phono eq is very simple, standardized for all manufacturers since RIAA Industry Standard agreed to (right after or before most of us were born).
This is mistaken. There have been a variety of EQ curves for the LP. In the US, RCA and Columbia used different curves for years, in part as a way to distinguish their products from each other. The IEC RIAA spec wasn't introduced until the mid-'70s. It uses a different LF roll-off and while some labels observe it, some don't. (Which may be a good thing.) Some European labels were using the CCIR curve well into the 1980s.
geeqner OP
28 posts
 
Elliott -

If one is a COLLECTOR and/or into "Vintage" recordings [Pre-1950's mono etc.] - that's where I would be looking for a restored (or restore it myself) H-K Citation I tube pre-amp.  THAT baby incorporated a switch to let you select about 5 different EQ Curves [RIAA, LP, COLUMBIA, RCA Roll-Off : 0/RCA, 4/FFRR, 10.5/OLD LON, 12/COLUMBIA, 14/RIAA, 16/LP]  It's on my list..

HOWEVER - For now; I am looking for something more modern and weighing the option of a Pre-Amp with built-in Phono vs. Line-Stage and separate Phono Pre (start with an affordable one and upgrade later because if I go this route - I cannot "bite-off" the funding of two relatively expensive units at once.)
Post removed 
geeqner OP
28 posts
 
Thanks, "elizabeth7" -

I never really thought of that.
But if I were to go the "Tubey" route - then, SEPARATE Line Stage and Phono REALLY makes sense, so as to save hours on the Phono Tubes when they are not being used (I currently listen to CD / other Digital sources most of the time and Phono is occasional use when I'm "In the mood" [when wife is out-of-town and I set-up the phono....])  ;-)

Solid State = not such a big deal, as the idle power used by a S.S. phono stage is "bupkis"
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