millercarbon:
"Especially with bass. A lot of the problems people have getting this concept seem to have their roots in some really fundamental misunderstandings about how human beings hear and perceive different frequencies. We simply do not register timing with bass, for example, anywhere near the way we do higher midrange and treble frequencies."
Hello millercarbon,
Yes, very good points about how we perceive bass sounds differently than higher frequency sounds.
We don't even perceive the existence of a deep bass tone sound in a room until the full cycle bass soundwave(a 20 Hz bass tone has a soundwave that's about 56' long) has been reproduced in the room, our ears have inputted the presence of a detected full cycle bass soundwave to the brain and our brain has processed this information as a perceived bass tone. Any partial soundwave (less than a full cycle bass soundwave) presence detected and inputted to the brain is not processed as a perceived bass tone or any sound at all.
Our brains also require the detection of multiple full cycle deep bass (below 80 Hz) soundwaves in the room to perceive a change in volume or pitch.
Another poorly understood aspect about how our brains process deep bass soundwaves below 80 Hz is the whole subject of psychoacoustics that come into play beginning with use of two subs and the main reason the 3-4 sub DBA concept works so incredibly well.
Later,
"Especially with bass. A lot of the problems people have getting this concept seem to have their roots in some really fundamental misunderstandings about how human beings hear and perceive different frequencies. We simply do not register timing with bass, for example, anywhere near the way we do higher midrange and treble frequencies."
Hello millercarbon,
Yes, very good points about how we perceive bass sounds differently than higher frequency sounds.
We don't even perceive the existence of a deep bass tone sound in a room until the full cycle bass soundwave(a 20 Hz bass tone has a soundwave that's about 56' long) has been reproduced in the room, our ears have inputted the presence of a detected full cycle bass soundwave to the brain and our brain has processed this information as a perceived bass tone. Any partial soundwave (less than a full cycle bass soundwave) presence detected and inputted to the brain is not processed as a perceived bass tone or any sound at all.
Our brains also require the detection of multiple full cycle deep bass (below 80 Hz) soundwaves in the room to perceive a change in volume or pitch.
Another poorly understood aspect about how our brains process deep bass soundwaves below 80 Hz is the whole subject of psychoacoustics that come into play beginning with use of two subs and the main reason the 3-4 sub DBA concept works so incredibly well.
Later,