Some ideas about hybrids and other horn system, and coherence.
Almost every horn system have dynamics, and gives more "flesh and blood" than classical "box speakers".
but...
As said @mrdecibel, coherence is essential. To my opinion, THE point to accomplish when making a speaker. Coherent speaker are not so frequent , and coherent horn systems are...very rare :-D
Even if i do not close my eyes, i want to forget how many speakers/horns are playing. I want to hear musicians between the speakers, not treble / medium / bass horn
With any hybrid horn speaker, there is ALWAYS a mismatch. Even with the best (even those i made years ago :-D ), even perfectly crossed and time aligned, the mismatch is in dynamics behavior, or "speed" feeling, or tone.
One can be easily blown away by his first listening experience with this kind of horn system. To be still in love with it weeks, months, and years later is another story !
About La Scala and comparable speakers : Properly used they can be enjoyable...well, exhilarating speakers ! They are very compact for their efficiency too, and affordable. Many good reasons to by and keep them...But i am not found of the horn association : For me it is a bass horn with a medium horn. Who is supposed to reproduce the low mid ? male voices ? cello ? A 15" speaker cannot do that properly, moreover in a folded horn. An heavily truncated 500 Hz acoustical cutoff horn neither.
When testing a horn system, it is unnecessary to play "boom-boom-kss-kss" music (rock&roll, many jazz trio, and of course audiophile drum records) : this will be fun and probably good. Most of the problems will occur playing voices, or string quartet. Play them to point out mismatch between the horns, crossover issues, phase shift, blur in sound stage (when it is not image overlays :-D. )...
For all those reasons, when i do not listen a perfectly voiced full horn loaded system, i play a simple full range in open baffle.
For coherence :-D
Marc HENRY
https://www.kornhent.bzh
Almost every horn system have dynamics, and gives more "flesh and blood" than classical "box speakers".
but...
As said @mrdecibel, coherence is essential. To my opinion, THE point to accomplish when making a speaker. Coherent speaker are not so frequent , and coherent horn systems are...very rare :-D
Even if i do not close my eyes, i want to forget how many speakers/horns are playing. I want to hear musicians between the speakers, not treble / medium / bass horn
With any hybrid horn speaker, there is ALWAYS a mismatch. Even with the best (even those i made years ago :-D ), even perfectly crossed and time aligned, the mismatch is in dynamics behavior, or "speed" feeling, or tone.
One can be easily blown away by his first listening experience with this kind of horn system. To be still in love with it weeks, months, and years later is another story !
About La Scala and comparable speakers : Properly used they can be enjoyable...well, exhilarating speakers ! They are very compact for their efficiency too, and affordable. Many good reasons to by and keep them...But i am not found of the horn association : For me it is a bass horn with a medium horn. Who is supposed to reproduce the low mid ? male voices ? cello ? A 15" speaker cannot do that properly, moreover in a folded horn. An heavily truncated 500 Hz acoustical cutoff horn neither.
When testing a horn system, it is unnecessary to play "boom-boom-kss-kss" music (rock&roll, many jazz trio, and of course audiophile drum records) : this will be fun and probably good. Most of the problems will occur playing voices, or string quartet. Play them to point out mismatch between the horns, crossover issues, phase shift, blur in sound stage (when it is not image overlays :-D. )...
For all those reasons, when i do not listen a perfectly voiced full horn loaded system, i play a simple full range in open baffle.
For coherence :-D
Marc HENRY
https://www.kornhent.bzh