System synergies: Chaotic or predictable?


When speaking of system "synergies", do you consider these to be chaotic? or are they a predictable sum of the character of the components?  I'm surprised at people who think they can predict the sound of a system from their perceptions of the components (derived, in turn, from other system combinations), and even more surprised and suspicious of the 'tone control' approach to purchasing cables and amplifiers suggested by another forum member (who does happen to be a dealer). 

I think these two views are contradictory. If we think that components have 'magical' synergies beyond our ability to measure, then it seems unlikely that we also can predict how combinations of components will sound.

ahofer
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It is a bit philosophically " naïve" to think that audio components has a sound of their own out of the continuous participating acoustic space of a room and that we can predict how they will sound without the specifics of any particular room and out of any particular electrical grid, and out of any resonant particularities of the audio grid and room...

Each component has his own particularity electronically speaking, but the end result of all the system in a particular complex embeddings is the truth of the system for the ears not his design only....


Example: an ordinary audio system in a perfect acoustical environment will be better than a TOTL in a poor room, without acoustical treatment, nor vibrations controls, with a noisy electrical grid, is it not evident?


P.S. salutations to Geoffkait , I think I miss Glupson also... :)
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The definition of words in a dictionary gives the prosaic, collectively accepted meanings of a word; the poetic sense of a word is not reducible to the prosaic sense in the dictionary it needs the context of the actual poem for his definition and the concrete experience of one reader of this poem...

In the same manner the listening audiophile experience is not reducible to nuts and bolts, to a prosaic reducibility to parts and components...

In the experience there is a continuous participation of the ears-brain-consciousness in a specific very complex embedding fields of the audio components: a qualitative one, a material one, an acoustical one, an electro-magnetic one... How do you reduce all that to numbers?

«There are more things in heaven and Earth, Horatio, / Than are dreamt of in your philosophy » William S.