LP12- Power Supply- Need education

@mijostyn  You say you lived with an LP12 for 10 years...when was that?...thirty years ago!! 
Funny thing, I used to own a SOTA Sapphire, liked it for the time, but sold it and replaced it with a VPI 19, which killed it...then i sold the VPI when i heard what a well set up LP12 could do. This was many years ago, since then I have basically taken that LP12 and updated it to current Klimax status. Only thing left of the original LP12 is the top plate. To say that my old SOTA Sapphire could even come close to competing with my current Linn is a total joke. I will say to you...IF you want to hear how crappy your old SOTA Sapphire sounds, listen to a new LP12 Klimax. LMAO. 


@cleeds   +1

Hi Dave,
Could u tell us about the Klimax upgrade?
I have to say I never feel the LP12 sound stable, my direct drive t/t sounds better and less complicated to setup.
I felt the construction of the LP12 is flimsy and not exactly well made.

There are so many new entries t/t to the market in the last 10  years.
I am not sure how well the Lp12 lived up to the modern design.

@msnpassion. The LP12 Klimax...in its full guise consists of the Radikal Klimax motor controller, a Urika 2 phono stage...which is mounted on the Trampolin 2 base, the Keel sub-chassis and the latest corner reenforced plinth, the Cirkus bearing,the Linn Ekos Se tonearm and lastly the Kandid cartridge.
i personally don’t use a Urika phono stage, or the Ekos Se, Kandid or Klimax cased Radikal. Nonetheless, I think that all of the updates from the stock LP12 from years back transform the table into a far more accurate and resolving platform.
The Radikal and the more rigid subchassis, DC motor, and the more precise Cirkus bearing brought very very significant changes to what was an already good table....but not one that in the past could really compete with the best today. Personally, I believe that these later mods have brought the table competitive again.
Now, let’s hear it from the naysayers who heard a poorly set up LP12 decades ago...or owned one of the basic models and never got it set up right.
You say it feels flimsy??— not sure what you are talking about, or your frame of reference. Flimsy certainly isn’t one of the things that I would describe the LP12 as....robust yes,..flimsy, nah.

daveyf, not even close. You have to have experience with multiple other turntables to know exactly how hopeless the LP 12 is. It is just not easy to make a silk purse out of a sow's ear. It does not feel flimsy, it is flimsy, Don't waste your money trying to make an LP 12 better save up for an SME or SOTA and get a real turntable.

Lewm, I have never had any speed issues with my SOTAs, not near as bad as tonearms bouncing off into space with the LP 12. But in case you are skeptical the new SOTAs have DC motors with microprocessor control. 
Daveyf, anybody who prefers a fixed table over a properly suspended one does not spend much time listening to vinyl. Unipivot tone arms are made by manufacturers who want to increase their profit margin. The newer Graham arms might be an exception. But even Graham had to resort to all kinds of magnetic wizardry to make it work. No anti skating? That should tell you something in and of itself. The last LP 12 I had was sold in 1980 for an Oracle another table that had much to be desired. I have not played with a recent one