chaster raises a good point which shows how deep the issue of "mono playback" truly becomes if you're half way serious about it. The RIAA equalization became effective in 1954, but many labels did not immediately adopt it. Some, particularly in Europe didn't comply until the early '60s.
So depending on how anal one wants to be with mono playback it becomes a question of:
* mono VS stereo cartridge
* "true" mono VS strapped mono
* stylus shape and size
* appropriate equalization
Now anyone looking to go back further to 78s then actual recording speed must be added to the list.
Anyone wanting to learn more about all this could start here -
http://midimagic.sgc-hosting.com/mixphono.htm
So depending on how anal one wants to be with mono playback it becomes a question of:
* mono VS stereo cartridge
* "true" mono VS strapped mono
* stylus shape and size
* appropriate equalization
Now anyone looking to go back further to 78s then actual recording speed must be added to the list.
Anyone wanting to learn more about all this could start here -
http://midimagic.sgc-hosting.com/mixphono.htm