Jim dismissed the pluses because he couldn’t get past the minus of insufficient deep bass control.
Understandable, especially from his designer perspective.
The reason I’ve held on to the Premier 12s all this time is because Michael Fremer’s old stereophile review nailed the character of these amps. They have that mid-band lushness, upper frequence glow/sparkle/aliveness and yet produce taught and controlled sounding bass with every single speaker I’ve ever owned. I never feel compromised with "tube bass" in terms of a flabbiness or lack of control. As I’ve written, the 3.7s on my CJ amps had the most controlled and coherent bass I’ve ever heard.