Klipsch K Horns (the new AK6)


At $15k, eeek!!!!! and their hard to drive, forget your 2A3's on these
https://www.stereophile.com/content/klipsch-klipschorn-ak6-loudspeaker-measurements

Cheers George
128x128georgehifi
all george did was comment on the horrible measurements of this loudspeaker. it seems like its the klipsh defense brigade who are here in full force waving their colors who are the emotional ones here. George just stated facts, straight and simple.

You’ve got it for $15k they measure miserably, I even owned Klipsch’s, the "defence brigade" are very vocal about their big boxes, that to me just SHOUT!!, save for the Forte as I mentioned were to me their more "musical" one.

Cheers George
I'd be very surprised if anyone would buy these relatively gigantic speakers for 15 grand, and after moving the furniture around in their ballroom or airplane hanger would sit there and say, "these suck." I'd bet these buyers know what's what with The Big Klipsch and like the things regardless of the "measurements." A big pile of wood...cool...and I don't even care what they sound like as I simply like the fact that they exist as a current thing.
You have to put this speaker in context. Back in 1960 the most powerful amps all tubes was 90 watts. In order to get realistic volume levels you had to resort to something like the K horn and back then they were the ultimate speaker and they stood alone on that pedestal for almost a decade, long enough to permanently imprint themselves in the minds of all audiophiles alive at the time. We all dreamed of getting K horns not to mention they are handsome loudspeakers and fit nicely into many rooms. In this day they are not the speaker for serious listeners. Humans are very sensitive to phase and volume. It is how we locate danger. The phase aberrations in the K horn prevent it from imaging correctly. I would love to correct all that and see what you wind up with. Like I said above I bet it would be one fine speaker especially for low power tube guys but it would take a lot of amps, an electronic crossover and DSP.   
but it would take a lot of amps, an electronic crossover and DSP.

What happens with all that then is "sterility" with what seem to me, no harmonic decay, too much electronics digital and analog between the source and the speakers, I’ve heard it so many times with DEQX type manipulated systems, "lifeless sterile music" a bit like what class-d does.

Cheers George
George, behave yourself. No one mentioned class D amplification in this thread....:-)