ricred1,
I agree on most of what you just said. I would say that PERFECT fidelity is not possible, but HIGH fidelity is. Certainly most recordings add distortion which we don't exactly know went into the processing, but you can ignore the distortions and listen to the essence of the music. Even with purist recordings that don't add distortion, we don't know the acoustics and the electronics used. But general experience with live unamplified music in various settings teaches us the general qualities of live sound. If you strive for clarity, you can appreciate more of the nuances which are the real essence of the music you enjoy. It's like fully enjoying your friends/loved ones while ignoring their deficiencies. Another possibility is that some people at classical concerts like to sit further back where the sound is warmer than close up. They can design their systems to produce high fidelity to what they hear from that distant seat, which is warm. If that is what they want, then high fidelity matches warmth. However, most recordings are made with close microphones and supplemental ones for ambience. High fidelity reproduction of these recordings should have a close and detailed perspective, by definition.
I agree on most of what you just said. I would say that PERFECT fidelity is not possible, but HIGH fidelity is. Certainly most recordings add distortion which we don't exactly know went into the processing, but you can ignore the distortions and listen to the essence of the music. Even with purist recordings that don't add distortion, we don't know the acoustics and the electronics used. But general experience with live unamplified music in various settings teaches us the general qualities of live sound. If you strive for clarity, you can appreciate more of the nuances which are the real essence of the music you enjoy. It's like fully enjoying your friends/loved ones while ignoring their deficiencies. Another possibility is that some people at classical concerts like to sit further back where the sound is warmer than close up. They can design their systems to produce high fidelity to what they hear from that distant seat, which is warm. If that is what they want, then high fidelity matches warmth. However, most recordings are made with close microphones and supplemental ones for ambience. High fidelity reproduction of these recordings should have a close and detailed perspective, by definition.