I think you missed the point a little, Miller.
How natural is pin point imaging in acoustic music? Roy argued, as do I, that it’s really not.
Well, let's see. So Bruce is sitting right in front of me playing his acoustic guitar and singing. My eyes are closed but I can tell for certain right where he is. He's not some vague diffuse disembodied blob somewhere either. I can tell with my eyes closed to within a few inches exactly where he is. I can tell the guitar is just below his chest. I can tell all this with the same precision as when I drop a pencil and know where to look by sound alone.
I think you missed the point a little Squires. Might want to go read my post again. Pinpoint imaging is every bit as natural in music as it possibly can be because pinpoint imaging is part and parcel of reality. Deal with it.
The second question is whether you want it, and want it more than other features of reproduction.
Now here again it will help to go back and read again this time maybe with a little more comprehension. Since pinpoint imaging is inextricably interwoven in the reality of the original performance then it follows irrefutably that accurately reproducing that performance must necessarily entail replicating that information. Otherwise either your recording is crap, or your playback is crap.
Now granted you may have hit on the one thing that matters: some people, instead of wanting to hear what was recorded come what may, they prefer to impose their own preconceived notions on how their music should sound. They mess with it.
Or maybe they just don't care as much for accuracy, fidelity and realism as they let on.
Well, whatever floats your boat.