Paradigm Persona series


I'm beginning to poke around and gather opinions and information about a "super speaker" to replace my aging Thiel 2.4s.  I like the idea of bass dsp room correction and I am a bit of a point source type imaging nut (thus the Thiels).  So among other choices I've been looking at the Paradigm Persona series specifically the powered 9H with room correction for the bass.  However I'm skeptical of the "lenses" i.e. pierced metal covers on the midrange and tweeter specifically because of Paradigm's claim that such screens "screen out" "out of phase" musical information.  The technology in the design seems superlative but I just can't get past the claim re out of phase information and the midrange and tweeter covers.  What could possibly be the science behind this claim?  It just seems like its putting a halloween moustache on the mona lisa given the fact that the company is generally a technology driven company.
pwhinson
Bottom line is that it's still all a system and needs to be chosen as a system.  Regardless if you chose a speaker or source first, you need to set a legit budget and figure out where to spend it.  

I have spent a lot of time with a few high end manufacturers recently and they all said the same thing.  A good line of speakers will scale.  Way too many people purchase a speaker that is one above what they probably need and don't have the budget for the better source which is where it all starts.  Preamp is next in the electronics jungle and then amp.  

Begin with the most you can afford and then end with the best your budget will allow, but make sure you have enough for a great pre and then amp.  

If you like Vandersteen, Magico, Wilson, B&W, ML, Maggies or whatever, then go with that line, but if you are going to spend a lot more on one part of the chain, do it at the source is what most are saying.  Most folks don't get to hear the lower price in the line with better source and maybe even a step up in electronics (over what they would be left to afford if they buy the next speaker up in a line).

AT, I agree with your speaker thoughts for the most part.  That said, I was at a dealer last week who had Wilson Alexia's in a small bedroom and they sounded incredible.  Overkill?  Of course, but with the door open it didn't even have a standing wave problem.  Had a pair of large ML's in another bedroom and I was shocked at how good it sounded.  It just proved that you can get great sound with varying size speakers in most listening rooms if you set them up properly.  He did it to prove a point.  
@audiotroy @kren0006 Thank you for your detailed responses. I appreciate them.

However, I still don’t find (in your posts) convincing rationale that points to and informs the necessity and importance (and criticality) of speaker first over amplification, or any other major component, for that matter.

I understand that the majority of audiophiles fall into (practice) the speaker first camp, but so far (based on the above posts) it seems more about comfort level, familiarity, history and preference rather than specific deal breakers should one choose not to go with a speaker first approach.

Audiotroy’s point on the hassle factor relating to speaker size (unpacking/repacking, movement, positioning, shipping costs, etc.) is certainly a factor, though one focused on convenience (and not a disqualifier).
I think the point about cubic feet, and room acoustics is valid and waf. But I think if somebody’s in deep with a mark levinson or any other ‘premium ‘ brand i would definitely avoid starting over. Thats where audiotroy just plows straight ahead, they talk like the average audiophile has unlimited funds and to that logic everything else they say makes perfect sense. Why they preach it so furiously on a used gear forum is probably why they get a bit of attitude from time to time. 

I had a chance to listen to the Persona 7F for a little while today, playing some audiophile-approved tracks.

Yeah, those speakers just leave me cold.   They certainly can sound clear especially in the high frequencies.  But overall I had the same impression as the last audition - they just don't sound timbrally organic or convincing to me.   Everything sounds "canned" or slightly glazed, and when I close my eyes there are all sorts of "clear/clean" sounding acoustic objects presented to me, guitar, drums, percussion, etc.  But they have the same grayish tonal "color" and my mind has to really work to untangle one instrument timbrally from the other.

A competent speaker, and I understand anyone else enjoying it, but my subjective reaction is just..."meh."