Your favorite Electrostatic, Panel spkr

kgveteran, if you are the sort who is interested in tinkering with things, then the PureAudioProject offers another level of fun. On all the models the capacitors and resistors of the crossovers can be changed, as well as the "internal" wiring. There are also settings on the crossovers themselves that allow various pin configurations to further adjust the sound. Consequently, you have multiple chances to hit a target of preferred sound. That appeals to me greatly and is why I kept reviewing the Trio15. 

In addition, I play with the soundstage literally by turning the speakers sideways. I have custom Sound Anchor stands to loft the speakers so as to achieve Landscape Orientation as opposed to typical Portrait orientation. I have a lot of fun with those speakers. However, that is not to disparage ESL, as it, too is wonderful. If you read the three reviews at Dagogo.com in regard to the Trio15 you will be well versed on its attributes. Cost for complete speaker runs from $4.5K for Tang Band version to $7K for Voxativ, to $8K for Horn 1. 

mijostyn, thank you for the kind reply, they are interesting, I was curious about the omnidirectional aspect of them?. I did not realize they cross them over that high , that surprises me based on other hybrid designs. I have only read the review in the Absolute Sound .. hopefully there will be more reviews to form some sort of perception on how they might sound. I still own a pair of Acoustat Monitor 3's in very good condition.. less the built in amps i am using a mk 121 interface with them. They are too large for my room. i have them in storage. i am fan of all types of loudspeakers. great thread. i am learning a lot. .

Yup my house was $150,000 :0)

The new Martin Logan 15 a...

I had been living a long time with Audiostatic ES300. I LOVED them until the mylar get "old" and "unstretched" (or loosing their conductive coating, never knew really what it was).
Until that moment (after 10 years or so), they really sang like real people. What a thrill to listen to the real Shirley Horn in your room... Never had a sub at that time. But a Cello Encore amplifier was enough to make them alive.
Well, in the end I tried several tricks to make them alive again, but didn't succeed by any mean. The price to buy new foils was high (around 1.500€) and then you still have to put them in which is not as easy as with ML. I decided that they could stay disassembled somewhere in my house till I would have enough money to fix them.
And I bought second-hand Apogee Centaurus Minor which I liked very much and a pair of Apogee Stage that i LOVE. Almost as transparent as the Audiostatic, but more balanced due to the strong and tight bass extension.
But I'll repair the Audiostatic some day, for sure.