Hi Yashu, all i can comment on the EMM "sound" is that one recording is night and day different from the next. if you're not in the best of moods on a given day this might be of some concern- if you want everything to sound equally wonderful. If you're impatient you may find yourself restricting your listening sessions to a set of tried-and-true sources. when you have more time or are in a cheery mood you can settle back and just take the good with the not-as-good.
in a few cases i have had to simply take a disc (that is not Miles Davis or T.Monk, etc.) and put it in my "trade or sell" box in another room. transparency is a bitch, and must be dealt with forthwith. But, Can you blame those engineers that did such an outstanding job for showing up the shortcomings of other more mass-produced recordings?
that is why it sometimes makes sense to have a second system with less resolving ability- a better match for many of the sources widely available today. is it any mystery why, when you go to a demo on an expensive set-up, you will often be encouraged to listen to certain tracks, with the consultant pointing out various qualities as the music is playing?
in a few cases i have had to simply take a disc (that is not Miles Davis or T.Monk, etc.) and put it in my "trade or sell" box in another room. transparency is a bitch, and must be dealt with forthwith. But, Can you blame those engineers that did such an outstanding job for showing up the shortcomings of other more mass-produced recordings?
that is why it sometimes makes sense to have a second system with less resolving ability- a better match for many of the sources widely available today. is it any mystery why, when you go to a demo on an expensive set-up, you will often be encouraged to listen to certain tracks, with the consultant pointing out various qualities as the music is playing?