Trans-Fi Terminator Tonearm: 2019 Update


In reading a few related posts on linear tracking tonearm, in general,  and Trans-Fi Terminator , in particular, I thought I would give a brief update of the Terminator.

I purchased the arm directly from Andrey in Moscow two months ago. From what I understand, Andrey has taken over production after Vic's retirement. What I received is the most up-to-date version of the arm with the carbon fibre wand and brass counterweights, the direct wire leads from cartridge to  phono amp, and a new brass manifold ( not evident from the main web-site). Both the wand and the new manifold are Andrey's contribution to the continued refinement of the Terminator.

Also,  please visit this site: https://darklanternforowen.wordpress.com/2017/04/15/terminator-tonearm-new-arm-mount/. This gentlemen from NZ has developed a new arm mount for the Terminator which advanced the arm's sonics even further. It was reading through the the development of this new arm mount that convinced me to order the Terminator after much prior research. I did not purchase the arm mount from NZ as it would not readily fit my Verdier La Platine, instead Andrey made a custom arm mount. It is in essence a two point support mount rather than a single point support rod that is commonly used. 

My previous arm was a SME V of 1990's vintage mounted with a ZYX airy. The Terminator is several notch above the SME V. All the accolades given to the Terminator seem justified. My main point in writing is that the new developments by Andrey, i.e. the carbon fibre wand and the newest brass manifold, seem to improve upon the Terminator even more ( see link above ). This is the news that I wanted to share with existing Terminator owners. I asked Andrey to start a blog on all the new stuff that is happening with the arm, but it seems that he is busy making 'things'!




ledoux1238
Harold, I can confirm all your listening impressions: pronounced quality and quantity of bass, deeper soundstage, more natural organic flow of music ( compared with my previous SME V ). What you are saying is that the new upgrades are not nuanced sonic improvements, but clearly audible from the previous version of the Terminator. I have been corresponding to another long time Terminator owner. He has very recently decided on upgrading, so he should be in for quite a nice surprise. 

Being such an early adopter of the Terminator without audition, there must something in the original Ladegaard Evolution , Vic's execution, ..etc that was more convincing than other linear arms. If you were to survey linear tracking arms, there is, dare I say, a 'simplicity' to the Terminator arm that even a novice like myself can comprend. I got it.

The barrier of entry for linear tracking arm has typically been quite high. The Eminent   2.5 and ClearAudio TT5 are the 'cheapest' ( MG1.1's are out of production ) and Airtangent is quite a bit higher. These are all 3x to 8x the price point of a Terminator. It is a testament to Vic, Andrey, and enthusiasts like yourself, that have pursued quality over price, and allow late comers like myself to enter the game. 
I've enjoyed reading here. This tonearm has been on my short list for years and now, reading of the latest refinements, it's very tempting. My only drawback is my decades long ownership of the ET-2.5 that I've been loyal to and have future plans for with Bruce's latest refinements. I've spent years and treasure acquiring the necessary components ( high-end compressor, etc....) We'll see..............
@slaw Finally, rumblings from across enemy lines! Hehe!

There are similarities between the Terminator and ET communities. It seems that we are buying into a ’project’ rather than a product per se. Tweeks, modification, experimentation....etc encouraged and assisted by the original designers seem the order of the day. Owners have invested much into the arms over the years, just like yourself.

Having said that, two main differences of the arms are the manifold and the wand. The inverted ’v’ shape slider and manifold requires constancy of air flow in one dimension, vertically. The tube and collar type requires 360 degree air flow constancy, a more difficult task. And the shorter arm wand of the Terminator reduces, in theory, resonances. Both differences allow the Terminator to work less against gravity. How that translate into superior sound quality, or not, is the question. It would be highly informative to hear from a long time ET owner about his/her thoughts on the Terminator. In fact, it would be fascinating.

After three months of use, there are two operational caveats of the Terminator. The manifold sits on top of the platter and does not slide aside like a Clearaudio arm. Placing records in and out will require some care. And the cartridge leads sometimes dangles the wand, causing the cartridge to skip. That will be avoided with more experience of use. But for now it still happens, albeit infrequently.

Please keep us posted if you do decide to switch.




@parrotbee  I ordered the arm with  the Sera low pressure pump and surge tank. It’s placed in an adjoining closet as the hum is noticeable. However, the designer, Vic, placed the pump in a wooden enclosure next to his TT and stuffed it with insulating material. That seemed to work fine. 

I would say the noise from the pump is easily manageable.