1+ mulveling. People who use idler wheel turntables either don't like bass or don't have subwoofers. They all rumble like express trains. They are why rumble filters were invented in the first place!
montaldo, we all get that urge for a change. It is that urge that has led me down the path of destruction on several occasions. Stick with what works.
All good turntables, those that do not add to or transfer anything to the process of reading a groove sound the same. Those that sound different in any way are adding something that should not be there whether it sounds euphoric or not.
As an aside. I have a 192/24 copy of Dylan's Desire and the MoFi 45 RPM version. We sinced them up and on first listening all three of us there at the time thought the vinyl sounded better. The vinyl had this glow for lack of a better term and it made Dylan sound as if he were standing out there at some distance. The digital version sounded as if Dylan was standing right in front of you singing into a microphone and on closer inspection the digital was more detailed, the violin in Hurricane had more rosin to it. So like Nelsen Pass's amplifiers the vinyl is adding something to the process we like. Nelson is right when he says audiophiles don't care about accuracy. They just want to be happy. I think I just contradicted myself.
montaldo, we all get that urge for a change. It is that urge that has led me down the path of destruction on several occasions. Stick with what works.
All good turntables, those that do not add to or transfer anything to the process of reading a groove sound the same. Those that sound different in any way are adding something that should not be there whether it sounds euphoric or not.
As an aside. I have a 192/24 copy of Dylan's Desire and the MoFi 45 RPM version. We sinced them up and on first listening all three of us there at the time thought the vinyl sounded better. The vinyl had this glow for lack of a better term and it made Dylan sound as if he were standing out there at some distance. The digital version sounded as if Dylan was standing right in front of you singing into a microphone and on closer inspection the digital was more detailed, the violin in Hurricane had more rosin to it. So like Nelsen Pass's amplifiers the vinyl is adding something to the process we like. Nelson is right when he says audiophiles don't care about accuracy. They just want to be happy. I think I just contradicted myself.