Ceramic insulator cone under phono stage shocker!


I have used small ceramic insulator cones underneath my phono stage for quite some time.
Previous phono was a Gold note ph10 and it did not make ANY audible difference I could detect which way up the cones were so I had left them cone upwards.

When I changed my phono to a Manley Chinook I just left the cones same way.
This afternoon I decided to flip them over so cone down just to see.

I honestly could not and cannot believe the difference!
I may have lost a smidge of low bass but everywhere else is improved in spades.
Much more detail, resolution, air, imaging, dynamics.
Just completely shocking how much better a small change has made.

But I am perplexed why such a huge change on the Chinook where I noted nothing on the ph10?

Any theories here?
128x128uberwaltz
Maybe an additional benefit or way to explain what @almarg was pointing out is the latest orientation is a superior way to funnel vibrations out of the Manley.

Ever tried Herbies tube dampers?
Cones act like mechanical diodes, so you always want the points down so the excess energy will exit the system. Points up actually allows more seismic energy to be transmitted to the component 🔝 and less excess energy in the component to escape.
@slaw and @geoffkait , agree with the concept of draining vibration from the component to a neutral platform. I must thank @geoffkait for turning me on to DH ceramic cones. I'm using them underneath SS and tube components. The points are sitting on a maple plinth with Herbies underneath. 
The result is focus, dynamics, transparency. Cones pointed up do not provide these benefits.


@lowrider57 

I was getting ready to post the same/similar words. 

Now, I just can't wait until I get my phono pre decoupled from the room....I expect greater things!
I discovered the positive effects of ceramic under tubed equipment a couple of months ago.It seems to work better than anything else I've experimented with.