Bear in mind that the BBC used to employ the highly regarded idler drive Gates turntable before switching to the Technics SP10. The Technics was seen as more reliable and maintenance free but I don’t recall anyone saying it sounded better than the Gates.
Yes, these new recent Technics decks improve the phenomenal specs (speed stability and rumble etc) even further into the realm of Sci-Fi but perhaps turntable design was as already good as it ever needed to be by 1970!
Perhaps someone could do an original SP10 v new SP10 to confirm this? Or perhaps there’s no need!
Anyway let’s not forget that many of the so-called audiophile decks that followed couldn’t get anywhere near to the specs achieved by the Technics and a few others.
*Here's a link to an interesting review of an SP10 mk2 by none other than British DJ Kenny Everett from Studio Sound dated September 1977!
https://www.americanradiohistory.com/Studio-Sound.htm
(<9mb PDF Studio Sound September 1977)
Yes, these new recent Technics decks improve the phenomenal specs (speed stability and rumble etc) even further into the realm of Sci-Fi but perhaps turntable design was as already good as it ever needed to be by 1970!
Perhaps someone could do an original SP10 v new SP10 to confirm this? Or perhaps there’s no need!
Anyway let’s not forget that many of the so-called audiophile decks that followed couldn’t get anywhere near to the specs achieved by the Technics and a few others.
*Here's a link to an interesting review of an SP10 mk2 by none other than British DJ Kenny Everett from Studio Sound dated September 1977!
https://www.americanradiohistory.com/Studio-Sound.htm
(<9mb PDF Studio Sound September 1977)