Whats on your turntable tonight?


For me its the first or very early LP's of:
Allman Brothers - "Allman Joys" "Idyllwild South"
Santana - "Santana" 200 g reissue
Emerson Lake and Palmer - "Emerson Lake and Palmer"
and,
Beethoven - "Piano Concerto No. 4 in G Major" Rudolph Serkin/Ozawa/BSO
slipknot1
@uberwaltz,

I do have high standards. Also, I want to hear, as close as possible, my set-up. This requires a flat record. Since I report on what I’m listening to, I feel like I need to relay to others my best judgement.

An additional comment...I’ve listened quite a lot with/without clamps, different weights and such. I never bought a peripheral ring out of fear I’d screw up a cantilever. Having said that, I like the sound of records on my mat/s, then with my Stillpoints LP-1. A clamp connects to the bearing, which in my mind, we are all trying to get away from? So having a flat lp is critical to the sound I think is best.

What is "gas mark 6"?
It's an English thing.
It's a heat setting on a stove, we never used degrees f settings like you have here on electric stoves.
It was nearly all natural gas in England.

I guess it's more an "in" joke that maybe only I get ... Lol
An additional comment on unflat records.... out of all the records I buy, they mostly come in with some sort of warp or dish. I have years of experience with the Vinyl Flat. I now own the ORB. What I’ve concluded is it’s very important for the ramp up and down of the heat to be uniform and controlled. Out in the sun or in an oven, IMO, doesn’t meet this standard.
I would agree entirely Slaw.
But as a freebie quick fix I am happy enough.
Of course if I end up getting more warped records as i buy I would have to reconsider the approach.
@slaw I saw Frampton not too long ago at a smallish local venue and he put on a great show, was very witty and down to earth.  I wasn't sure from your post if you were going to go see him or looking forward to listening to some vinyl.