Miracles in Audio, by luck, by good choices,by design or by tweaking...


I owned a low cost headphone for many years, the Fostex TH7B, first version( a new one close version exist Fostex TH7BK), semi-open headphone...I was never completely satisfied by any headphones I ever owned: Hifiman 400, Stax basic lamda, Stax 5 gold,Akg 340,Akg 701, beyerdynamic 990, and T150... Because in each of them with all their qualities I never listen to at the same times, a confortable headphone with natural timbre and voicing, with a good imaging and a realistic soundstage(not too close to my ears)...


For the last days I tweaked this Fostex, to damp his internal resonance I used sorbothane, I put some shungite stones at the exterior part of the cups and I use some Herkimer diamond in the interior pads( 3 at 120 degree) … Now this low cost headphones crush all my others if I sum all his qualities... For example his mids and voicing cannot beat the AKG 340 but among all my other headphones it is the best that is near that mids and it is more confortable, and with longer cable than the 340...His imaging is better and more realistic than the 340 etc etc...It is the same if I compare with the others...


His most important qualities is natural timbre and clear imaging,very precise pinned point accuracy and natural, so clear it crush for that ALL the others to dust...In the French audio circle the reviews were more than very positive few years ago...Diapason d’or and choc Classica...I am not the only one impressed buy the ratio quality/price... But remember that thesae reviewers dont tweak their headphone...The difference between before and after the tweaks are staggering...


Yes Miracles happens in Audio: cost is under 100 American dollars... Few years ago they cost me 50 bucks new... I never dreamed that I will go back to headphones...


I will enjoy your miracles stories of any kind ….My best to all...
128x128mahgister
After many hours of listenings I definitely characterize the micro-crystals effect by a smoothness and naturalness of the sound I never have before... My macro crystals act on many feature of the sound but not mostly in this smoothness direction...It is like the micro details are now flowing organically... It is more evident in the headphone because they are more able to catch micro details than speakers but i listen that with the speakers also...I am very pleased and I cannot thanks enough whostolethebatmobile


I add 2 bands on the cable between dac and amp...subtle improvement in the same direction...


What is amazing for me it is that the effect are at the same time subtle and unmistakable...Something was lacking in my audio system that I were not conscious of: naturalness, softness, easy flowing of details , and now I listen to it.... True musicality indeed...Crystals is for me the more potent  tweaks in audio, be it in macro linked rocks or micro forms... 
Your comments comport very well with some of my customers’ comments from 15 years ago. To whit,

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"I placed one "Mikro" size bottle on a Quantum Symphony Pro tonight and was astounded that such a small bottle could improve upon the sound of the Large bottles (which are on top of my PSB Stratus Mini speakers). I listened to two live recordings and was astonished how easy it is to hear ambience cues. The soundstage was wider AND taller. And now the speakers actually do seem to play louder and softer, depending on the signal; I had not heard that from my system before. Now, It's quite difficult to turn the system off." - Mike Gallaro, August 2005 

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"Just wanted to let you know I received the two Large Brilliant Pebbles Saturday afternoon. I immediately unpacked them and placed them in the rear corners of my listening room, behind the listener position. I warmed up the system for a couple of hours, then listened to some CDs I had listened to the night before. It was clear from the outset that the BPs enhanced the male and female voice and produced more fleshed-out bass without loss of speed; stringed instruments, especially guitar, were produced with a sheen and a quieter background, quite unexpectedly. I was extremely happy with the results! An Audiophile for over thirty years, I was inclined to remove the BPs from the room and replay the same discs. No good! -- I already missed the BPs. When my lovely wife called me for dinner, I placed the Pebbles in the front corners (behind the speakers) and went upstairs. When I returned to the listening room two hours later and played the same discs with the BPs in their new locations, to say I was stunned by the sound would be an understatement!! Everything I'd heard with the BPs in the rear corners was increased ten fold! The BPs are the best tweak to come along since sliced bread. Who'd have thought that pebbles in a small bottle would have such a positive effect on a high end system? My system: Krell amp, Classe two box pre, DCS upsampler, Levinson Dac, Accustic Arts transport, Eggleston speakers, Exact Powers and Hydra conditioners, Jena Labs cabling, Bybee filters all over the place and Clearaudio Magix vibration footers under all components. All I can say is, Bravo! -- a tweak that really works and is inexpensive to boot!" - Rich Lerner, July 2005

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"A brief progress report: The upper corners behind my listening position work!!! I'm amazed at the difference. And I thought my system was pretty tweaked and tuned, etc. The BPs seem to affect the entire musical spectrum---from the lows to the highs. The soundstage seems much better defined, similar to the effect I experienced when I installed Aurios in my system. The BPs have even more impact -- each individual instrument/performer seems to have taken on a greater presence and vibrancy as well as being better defined. It seems kinda strange -- the individual seems to be larger or fuller or have greater presence, but not at the expense of the others performers - at the same time the soundstage is better defined and less congested." - Ray Lou, June 2005 

I am a convert to crystals, they worked in many fashions, alone or together, linked or not, in powder or rock-form, and they act on all feature of the sounds dependant on their implementation in a particular location...Your customers tells the truth indeed...I am amazed by the many ways they can act, for today it was this powder glued pieces of paper that was so powerful, in dissolving the residue of electronic glare around the sound unbeknownst to me that I had in my system even after all my tweaks with crystals... Perhaps you must investigate this tweak with powder and replicate it Geoff...I am sure that you will sell many...I will buy some more...



My stones linked grid and the S.G. with stones linked to the grid makes many things right on their own and cannot be replace by the powder crystals bands but the inverse is true also, the crystals grid cannot in his actual form in my system gives to me this smoothness that's gives to me these crystals powder bands on strategic spots...Then they are many complementary embeddings and implementations of the crystals in an audio system... All are necessary...



Crystals 301

Piezoelectricity is the electric charge that accumulates in certain solid materials (such as crystals, certain ceramics, and biological matter such as bone, DNA and various proteins)[1]in response to applied mechanical stress. The word piezoelectricity means electricity resulting from pressure and latent heat. It is derived from the Greek word πιέζειν; piezein, which means to squeeze or press, and ἤλεκτρον ēlektron, which means amber, an ancient source of electric charge.[2][3] French physicists Jacques and Pierre Curie discovered piezoelectricity in 1880.[4]

The piezoelectric effect results from the linear electromechanical interaction between the mechanical and electrical states in crystalline materials with no inversion symmetry.[5] The piezoelectric effect is a reversible process: materials exhibiting the piezoelectric effect (the internal generation of electrical charge resulting from an applied mechanical force) also exhibit the reverse piezoelectric effect, the internal generation of a mechanical strain resulting from an applied electrical field. For example, lead zirconate titanate crystals will generate measurable piezoelectricity when their static structure is deformed by about 0.1% of the original dimension. Conversely, those same crystals will change about 0.1% of their static dimension when an external electric field is applied to the material. The inverse piezoelectric effect is used in the production of ultrasonic sound waves.[6][

Piezoelectric effect explaining this effect of crystals ? I dont know, you are the scientist not me...But if it is so, then the human ears is a marvel and able to listen the difference pertaining to this 0.1% difference in the material affected by an electro-magnetic field in relation to his effect on sound... It is quite possible, science has already demonstrated the extraordinary resolving power of the hearing sense  in humans and animals...