Pin point imaging isn't for everyone


A subject my posts touch on often is whether pin point imaging is desirable, or natural. While thinking about wide-baffle speakers in another thread I came across this quote, courtesy of Troels Graveson’s DIY speaker site. He quotes famous speaker designer Roy Allison:

I had emphasized dispersion in order to re-create as best as I could the performance-hall ambiance. I don’t want to put up with a sweet spot, and I’d rather have a less dramatically precise imaging with a close simulation of what you hear in a concert hall in terms of envelopment. For that, you need reverberant energy broadcast at very wide angles from the loudspeaker, so the bulk of energy has to do multiple reflections before reaching your ear. I think pin-point imaging has to do with synthetically generated music, not acoustic music - except perhaps for a solo instrument or a solo voice, where you might want fairly sharp localization. For envelopment, you need widespread energy generation.


You can read Troel’s entire post here:

http://www.troelsgravesen.dk/Acapella_WB.htm

This goes, kind of, with my points before, that you can tweak the frequency response of a speaker, and sometimes cables, to get better imaging, but you are going significantly far from neutral to do so. Older Wilson’s were famous, and had a convenient dip around 2.4 kHz.
erik_squires
Hi David.

Listen for a while to your 2 channel. Even with very good imaging I notice the following:

Instruments are always louder at the sides than in the center.

A horn playing hard left will get softer when it is in the center. Neo6 seems to really help that, and I never heard anything negative using it.

However, lets be clear, I don’t have a HT processor right now, and I’m not going to sit and bang a drum for it. :D :D

I was just pointing out that even with the best systems, the center instruments seem lower in volume than the sides. Neo6 corrects this and you notice it when it’s gone.

I repeat: This isn't about imaging, it is about relative volume. We're so used to it we don't notice it.

Best,

E
@erik_squires   Erik, I'm glad you clarified you were referring to volume vs. a centre image as I thought you meant 'image.'

Off memory (and even as I'm listening right now) this isn't the case (re. volume falling off in the center) BUT I will pay attention to it!!!

Appreciate your response and take on the topic.

As I evaluate, I have an additional question for you and others:

Do differentials in volume guide perception of distance (of the performer) relative to the listening position? Thank you.
@erik_squires 
Instruments are always louder at the sides than in the center
In the few [under 5] times I've listened to compressed music, I would agree there is a hole in the center. On well recorded material on my systems, never.

Most music, live or recorded is pretty static.

Can you give an example of uncompressed material where a horn on the side is quieter in the center?
@ieales

I’m going to have to listen for a while, in most recordings they don’t actually move around.

Probably going to have to find some choral works. :)

There is by the way quite a body of work on HRTF and how the phantom center can’t compensate for it, which is related to what I’m discussing, and I think a lot of people will have trouble hearing it if they’ve spent decades listening to 2 channel stereo. You don’t notice it until it’s gone.

Kind of like recording a room of people talking. You listen with headphones on and suddenly the acoustics of the room become glaringly obvious.


But again, please put this along with geek curiosities. I'm not going to bang a drum that we must all do something differently. I'm an apartment dweller living happily with 2-channel for now. I learned all of this while having a HT set up and listening to the difference between a real center speaker and phantom, and listening to music with and without a center. It's curious and interesting, but not worth upending how we enjoy music.

Best,
E