I thought 1.7 was the factor to convert compliance at 100Hz to that at 10Hz. This gives 8.5 and with a Rega 300 at 11.5 gives a resonance of 12 to 13 Hz, a little high which, might be part of the reason for the popularity of heavier alternative bodies.
Phono cartridge suggestions sought
Hi All,
I am in the market for a new phono cartridge. I can run up to $1400 but would prefer not to if i can get the performance I want.
I listen to predominantly Jazz on vinyl, though some rock, folk and classical also gets spun
I recently heard a Hana SL and Rega Apheta at a dealers—different decks, same room and system. Both sounded good although the Apheta was not as heavy sounding and at the same time sounded more “present”. I wasn’t really looking at the Apheta, but it was available to listen to.
The room is accoustically live with lots of glass and hard surfaces but all sounds good.
System: Naim Atom, Bryston TT, Parasound JC jr phono stage (so huge loading flexibility and gain up to the 60’s), Totem Acoustics Signature Ones, Transparent cables. Current cart: Denon 103r with 250 hours on it, so it is winding down.
I have enjoyed the Denon. But wondering about that all elusive “more.”
on paper spec, nobody touches the Grados for channel separation, but not sure how essential a criterion that should be. Especially since I worked hard to tame some RFI from a nearby antenna and the Grados I have heard said are not well-shielded.
Since my Totems only drop down to 45 Hz, I suppose absolute resolution on the low end could be sacrificed for other sonic goods.
Ok, hive mind, what do you suggest?
I am in the market for a new phono cartridge. I can run up to $1400 but would prefer not to if i can get the performance I want.
I listen to predominantly Jazz on vinyl, though some rock, folk and classical also gets spun
I recently heard a Hana SL and Rega Apheta at a dealers—different decks, same room and system. Both sounded good although the Apheta was not as heavy sounding and at the same time sounded more “present”. I wasn’t really looking at the Apheta, but it was available to listen to.
The room is accoustically live with lots of glass and hard surfaces but all sounds good.
System: Naim Atom, Bryston TT, Parasound JC jr phono stage (so huge loading flexibility and gain up to the 60’s), Totem Acoustics Signature Ones, Transparent cables. Current cart: Denon 103r with 250 hours on it, so it is winding down.
I have enjoyed the Denon. But wondering about that all elusive “more.”
on paper spec, nobody touches the Grados for channel separation, but not sure how essential a criterion that should be. Especially since I worked hard to tame some RFI from a nearby antenna and the Grados I have heard said are not well-shielded.
Since my Totems only drop down to 45 Hz, I suppose absolute resolution on the low end could be sacrificed for other sonic goods.
Ok, hive mind, what do you suggest?
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- 82 posts total
- 82 posts total